GMC- we are on the same page. I like your wall of vinyl at home.
Viridian- excellent point. I did touch on it in my earlier post here, but didn't
spell it out as you did. Which may be one reason why mastering engineers
have to make dramatic changes in the sonics? Or is it also catering to a
brighter, 'clearer' sound that people may prefer after getting used to digital?
Part of the death of good sound is complex multitracking, where having all
the musicians in the same room and a sort of bleed through of the acoustic
is lost. That may be why some of the 'audiophile' recordings like D2D sound
good, apart from skipping the tape altogether. (unfortunately, most of the
natively 'audiophile' records leave me cold, musically).
AudioTomb- are you talking about those new Apple reissues on vinyl?
Viridian- excellent point. I did touch on it in my earlier post here, but didn't
spell it out as you did. Which may be one reason why mastering engineers
have to make dramatic changes in the sonics? Or is it also catering to a
brighter, 'clearer' sound that people may prefer after getting used to digital?
Part of the death of good sound is complex multitracking, where having all
the musicians in the same room and a sort of bleed through of the acoustic
is lost. That may be why some of the 'audiophile' recordings like D2D sound
good, apart from skipping the tape altogether. (unfortunately, most of the
natively 'audiophile' records leave me cold, musically).
AudioTomb- are you talking about those new Apple reissues on vinyl?