Yes Jeremy you are right about the steel string guitars , but I had them as I liked to play many styles of guitar music as well as the classical . One of my favourite things to do was capo three frets up and play lute music on the steel stringed instruments, it gave a wonderful ring to the music.
Classical Music for Aficionados
I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
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- 3872 posts total
@jcazador Yes Jeremy they are indeed lovely guitars ( I would love to hear how the ones with sound holes at the front sound like ) As an aside I am this moment listening to a gorgeous Handel’s Messiah from Emmanuelle Haim and Le Concert D’Astre . It,s a facsimile of a performance Handel organised at Covent Garden in London. In it the Alto was a counter Tenor and I must admit I do like it though we are all more used to female altos but I do indeed think there is cause to put it beside the Dublin editions. |
Jim et al here is Keola Beamer playing prototype "Beamer" model that Grimes named after him https://www.youtube.com/watch?v=nZEjLt9X9zY&list=PLUuz7DoKnenUt7o22xU4X7XP6kAcTRlUA http://www.grimesguitars.com/the-beamer-steel-string/ |
- 3872 posts total