Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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Leopold Godowsky

It is during these early years of the 1930s that Bolet had some sessions with the legendary pianist Leopold Godowsky, going up to New York City for lessons.   JB’s teacher at Curtis, David Saperton was Godowsky’s son-in-law and had arranged the connection.   (Godowsky resided in the luxurious Ansonia Hotel on the Upper West Side, at 2109 Broadway, between West 73rd and 74th Streets, but moved into an apartment with his daughter Dagmar on Riverside Drive overlooking the Hudson River after his wife Frieda’s death in December 1933.)   Bolet would practise some of Godowsky’s fiendishly difficult music (few other of his contemporaries were up to the task) and then play it to the composer.


‘Jorge’s scores of these pieces bore Godowsky’s markings in red crayon—the daunting “Passacaglia,” based on themes from Schubert’s “Unfinished” symphony; the “Fledermaus” and “Kunstlerleben” symphonic metamorphoses; the “Java Suite”; the Sonata in E minor; pieces from the “Triakontameron.” ’ [Albert McGrigor]


Bolet listed these lessons for 1932-3 in a submission to Grove's Dictionary; but they do not seem to have been systematic lessons.   Gregor Benko has said, 'I remember a party at Sidney Foster’s house when he, Bolet and Abbey Simon reminisced about Leopold Godowsky, who apparently used sarcasm and insults with students..., and it left an indelible impression on these great artists, who had all played for him and suffered abuse.'   Godowsky's biographer, Jeremy Nicholas, states: ‘Occasionally, Saperton and Bolet would go to New York and visit Godowsky, and Bolet would play Godowsky to Godowsky, as it were, and get advice from him. He said that in that sense, yes, he had studied with Godowsky. Of course he also, in the same way, had advice from (and played for) Hofmann as he was head of piano at Curtis. But his main teacher was Saperton, though Bolet told me the greatest purely musical influence was the French musician Marcel Tabuteau, first oboe with the Philadelphia Orchestra – the greatest musical mind I have ever known.’

Who was Godowsky?
more here, including pictures
https://jorge-bolet.webs.com/1930s


The famous (notorious) Etudes Godowsky's most famous work in this genre is the 53 Studies on Chopin's Études (1894–1914), in which he varies the (already challenging) original études using various methods: introducing countermelodies, transferring the technically difficult passages from the right hand to the left, transcribing an entire piece for left hand solo, or even interweaving two études, with the left hand playing one and the right hand the other.
The pieces are among the most difficult piano works ever written, and only a few pianists have ventured to perform any of them. Among such pianists are Marc-André Hamelin, who recorded the entire set and garnered a number of prestigious awards.  Other pianists who frequently perform Godowsky are Boris Berezovsky and Konstantin Scherbakov.

@jcazador    Hi Jeremy that was a very informative piece that you wrote about Godowsky . Have you got Constantin Scherbakov playing Godowsky's Baroque transcriptions on the Marco Polo label I love it, notably the Musette and Rondeau in E Major I find it hypnotic and I usually play it at least three times in a row when I am in the mood.
i did not write it, entirely quotes
source is the link providedthere is a lot more there including pictures etc
about Bolet's life
including his "Mikado" in occupied Japan in 1946