Conrad Johnson--Best used Model


I just purchased a Pass Labs XA 30.5 & want to pair with a CJ preamp

I'm looking for experience on which model to by used or new for $1-3 k

I would love the Lush house sound with details and soundstage without being plodding

Frozen

frozentundra
Watch out for impedance mismatch when pairing a CJ tube preamp with Pass.   The CJ Act 2.2 did not do well at all with the Pass X250.5.  I later inserted the Pass external cross-over (XVR-1), and it fixed the impedance issue (as well as split the signal to a sub) and sounded great, but without the impedance fix, it was not a pairing that worked.  
GO PACKERS! (Shareholder) 

From the cj older house sound the 17 and 16 are both very nice the 16 a bit more detailed. Experienced both pre-amps driving cj tube and ss amps.  I now use pass xa100.5's mated with a pass xp-20 and it is a very good match as you might expect.
Oh No:

A Shareholder!!!!!   YOUR THE WORST!   Lol
Darn dyed in wool, Cheesehead

 Cz:

Thanks for repsonse.

1st question: Why the switch at preamp?

2nd question: Is the CJ sound that much different than Pass?  
What are the house sound differences?

3rd question: 
What are the system components you are using?

Last question: 
Why is Kramer not in Canton yet?

Jeff


Been one my whole life !

1) I moved away from cj separates to downsize to a Cary Integrated which was fine for awhile but I kept having issues with power tubes. I decided to try some Pass components and that is where I am today. Also speaker changes through the years led to some of the changes in amplification.
2) The 90's cj pre-amps possessed a warm and smoothness that to me was very nice especially the 16 series II as it also had some nice detail (wished I would have kept that pre-amp).
The newer cj amps are more analytical less lush but are very nice sounding. I would not hesitate to go with cj again as I found their components very reliable and their customer service was top notch. The pass sound is very nice as well; detailed and smooth with very good bass control.
3) VPI TT, Herrron VTPH-2 phono-stage, heavily modded Sony SCD-1 with Focal Be monitors. 

I am not quite sure buying a  used CJ pre-amp is a worth even a mint one.  What are you really getting for your money?? Most CJ pre-amps and line stages have no remote, headphone jack ( or amp)  and no phono stage.   Sure, if you want the purest sound, a no-feature line stage "may' be great..  Of the above features, the headphone feature may be most optional.. 

However, it you are still doing analog and a have quality set-up, you have to purchase an outboard phono stage which could run as much as $500 possibly more. (Unless you can find a used mint Musical Surrounding Phonnom  II which can be had for about $350. Also an additional IC must be purchased that is almost audiophile level. 

The volume control I always considered as a type of tone control which allows the listener to adjust levels incrementally until you have reached a volume compatible with the dynamics of the recording  Therefore, it is easier and more enjoyable to do this from your listening position than getting up every 5-10 minutes to adjust volume as you from track to track on a CD or LP

 I had a CJ PV-8  in 1988, and in retrospect, I was happy it had a MM phono stage; I took it for granted that it was more than adequate quality, and I played a 80% LP's in those days, and only 20% CD's  It sounded good, but I was somewhat uninformed about the differences in  sound quality between  phono stages.. That is my 2 cents.  Good Luck