DAC DIRECT IN TO AMPLIFIER OR TO PREAMPLIFIER


For the longest time, I believed that the best preamplifier is no preamplifier.  Eliminating a component from the audio chain would yield less distortion & greater purity.

Recently, I have had reason to re-think my logic on the matter - and I am (I think) changing my mind.  Better said, assuming that the preamplifier in the component you are using (in my case, a DAC) can produce 95% or greater quality sound compared to the preamplifier component, then no preamplifier is the best option.  The 5% represents the (estimated) loss of fidelity in adding another set of interconnects.

That said, most DACs do not have an outstanding preamplifier built in.  I think most have average passive attenuators, and the better DACs have active preamplifiers that are very good - but not as good as a quality preamplifier.

What are your thoughts?

 

 

128x128paul_lindemann

I know a lot of folks do not care for this guy or his musings, but he has a point if you are digital only. https://youtu.be/81RQLo0tLHE?si=t9BKS9t34O0bESV2

As a general rule, adding a preamp I’d better, giving you better sound quality and better control. However, if a streamer or a CD transport are your only input, you might have a setup that doesn’t need a preamp.

@blisshifi “…T+A SDV 3100 HV (which in all fairness has a true preamp stage built in)…”

 

That is really interesting. Perhaps what that means over time as digital becomes more dominant… DACs will include preamp stages… and really ultra high will continue to require separate preamp functions. 

@ghdprentice Perhaps… but I am in the camp of associating T+A with ultra high end. The SDV 3100 HV is a $38,750 component. While T+A does offer the standalone reference DAC at $36,500, they integrate the power supplies, analog output and volume control from their $22K reference preamp for an additional $2,250 into the SDV. The SDV unit does have a lesser feature set than the dedicated preamp - less inputs and outputs; no option for built in phono, no room correction or EQ - all so it can fit in one chassis, but also to reduce any culprits that may result from combining analog and digital circuits closely together.

I am a big believer of isolation and agree that typically it is best to have separate circuits in separate chassis’, but in a few manifestations such as the SDV 3100 HV, I think world class results are possible in integrated offerings. 

@carlsbad2 “…My summary of this thread would be that there are 2 camps, one likes adding a preamp, and one doesn’t..”

I get a different take all together. It seems there is consensus that most of the time a real preamp is required, it can be built in, or separate, or the music looses some really important characteristics. While there are exceptions… generally very high end, they are that… exceptions.

 

This brings up the problem to those assembling systems… especially if they are not auditioning extensively along the way. You put together a system without one and you don’t know what you are missing. And this missing stuff is often the most important stuff… what allows you to enjoy the music vs the system. So, without a preamp you often get amazing detail but somewhat flat lifeless presentation. This is a recipe for listening to the guy in the third row of the symphony move his foot as opposed to getting lost in the music you are listening to.

 

Us old times tried this by removing their preamp, so had the advantage of noticing the difference… then for whatever reason put it back in. Folks these days my never put one in.