DACs and bass response?


I'm auditioning dacs in my system. One (COS) was way to analytical, overall, but had very tight bass. Another (Aqua La Voce) is what some would describe as "musical"  and sounds  terrific in all aspects except bass. My cdp alone does better in that regard. I have monitors and no subs. Can I expect that dacs that are hyper-detailed will also offer tighter bass as a rule?
stuartk
Since you are clearly able to build a device that takes 800 psec jitter from an Oppo and turn that into 20 psec jitter with your Synchro-Mesh, then why do you believe that nobody else has a DAC that can correct incoming jitter to completely inaudible levels - around 20 psec or less?

Good question.  The answer comes from 10 years of modding equipment, seeing the circuit boards exposed in these DACs and hearing them at shows.  I don't see the things implemented in DACs that are required to achieve these low jitter numbers.  It's not just selecting a low phase noise oscillator, or providing a dedicated power supply for it.  It goes WAY beyond that.  It has taken me 10 years of modding and tweaking on my own products to learn these tricks.  And I don't hear the SQ that would result in exhibit rooms at shows if they had implemented these optimally.

After I retire in a few years, I may write a technical book so that other designers can benefit.  I have thought about teaching a course at a college, but I live in the sticks.  For now, these are trade secrets that differentiate my products.

Steve N.

Empirical Audio


In general I found that there is a trade of between mid/high to low dynamics and not only in Dacs, gear that sounds very detailed and ’sweet’ (strong at mid and high) doesn’t peoduce strong punchy bass and in contrary gear that has accurate and tight bass tends to be less detailed and musical at the mid/high section.
In general I prefer to sacrifice a little bit at high/ mid to achieve strong and tight bass .


This is not inherent in components, it is a function of the design.

This has everything to do with 2-3 things:

1) values and placement of decoupling caps

2) types of decoupling caps, ie; Teflon, Polystyrene, paper-oil

3) jitter

If proper attention is paid to 1 and 2, you can usually have your cake and eat it too.

My 10 years of modding has taught me that many designers don’t understand power delivery, so they pick capacitors just like other manufacturers pick, or what it recommends in the data book of the integrated circuits. Many of the guidelines in data books are only to make sure the circuit functions, nothing to make sure it delivers great audio quality. The errors just get repeated over and over. This is a bit of a black art I have to admit.

Tube equipment is a case in point. Many audiophiles avoid tube equipment because of a "tubey" sound. This is generally due to 2 things: poor choice of tubes and non-existent decoupling caps, particularly for high-frequencies. Designers somehow think that because of the high voltages and low currents involved that these are unnecessary. If they are optimally chosen and placed along with selecting good tubes, it can sound almost identical to SS.

Steve N.

Empirical Audio

“it can sound almost identical to SS”

Why would someone buy a tube component that almost sound identical to Solid State? 
@audioengr 

The J-test does not use probes. I am surprised you are not much more familiar with the J-test, as it is an industry standard jitter test (used by Stereohile and others) and since everything related to jitter appears to be your specialization expertise.

See this link

http://www.nanophon.com/audio/diagnose.pdf

The J-test uses a known digital signal and analyzes the spectrum of the analog final output of the DAC for spurious frequencies that should not be there. It is actually a complete approach to testing the entire audio chain from digital signal passed through any cable into the digital input of the DAC and a detailed examination of the final analog output. Any jitter at all anywhere that reaches the D to A chip will result in quite obvious spurious analog signals that do not match the known input. Any source jitter, cable jitter, interface jitter, LIM jitter and intrinsic jitter (in fact the sum of all and any jitter) is tested for.
Why would someone buy a tube component that almost sound identical to Solid State?

Because Tubes are usually lacking in dynamics, bass tightness or HF extension. You can get the liquid midrange of tubes and the dynamics, bass and HF extension of the very best SS without having that "tubey" distorted sound.

Steve N.

Empirical Audio