There have been discussions on this forum that do indeed suggest that recordings of a full-scale symphony orchestra can be the hardest kind of recording to play back satisfactorily in a domestic setting. If your speakers can't cope, you may well tend to favor small groups (quartets, etc.) or solo performances. That stands to reason. If you have a system that can do justice (or let's say, something close to justice) to a Mahler recording, then you're more likely to select that kind of music to play.
Do speakers choose your music preference
I wonder if my preference for chamber music and jazz is driven by having replaced my older full-range KEF Ref. 107/2s with Ref.1 monitors and a pair of Velodyne HGS-15s -- I did find that resetting the crossover to the subs from 40 Hz to 80 Hz made the setup sound larger and large orchestrations more enjoyable. I replaced the 107/2s because I was sure the fully-balanced zero-feedback design of the Ayre preamp and amp would not tolerate inserting the KEF KUBE between them. Charles Hansen had warned me not to insert anything between them. Now I’m wondering if KEF Ref. 207/2s or Wilson Sophias might tilt my music preference back toward the symphonic venue.
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- 13 posts total
- 13 posts total