I seem to have a very different experience than most here. Either my Pioneer PD65 as a transport is incredibly excellent or my Muse Model 8 transport is not all that good as I have swapped back and forth these many times and I am still not sure if a difference exists between them. Is it my poor hearing on this or were the Stereophile ratings A vs C truly nonsense in this case? Both of these with so many DACs bring on an excellent redbook CD presentation.
I have had many DACs here: Audio Alchemy, ARC DAC3 II, Counterpoint DAC10, Muse 296, Electrocompaniet ECD1 and now the incredibly awesome tubed Manley DAC....I own all but the ARC now. The differences between each of these is immediately apparent. In some cases it is extended bass that is quickly noticed or a more in-the-room vs back-of-the-room presentation, more energy on the top, etc. Perhaps I need to try the transport comparison again with the Manley DAC.
I just recently tried a MIT digital cable and yes, this indeed brought on a level of smoothness over the cheapo cable that was previously used. I did convince me that the timing issue is critical with cables. But even this was not a huge difference right away like the DACs. Perhaps a return to the previous cable would make me think otherwise.
And I have not played with power cord swapping yet but it sounds like everyone's claims on this will bring on yet a huge change too. I thought I'd play with a Genesis Lens for a month or so and then remove it to hear what it does or does not.
So if anyone has any ideas as to why so many other things make a far bigger difference than the transports mentioned, I'd love to hear it. And if anyone is interested in the differences in the above mentioned DACS, send me an email.
Thanks.
John
I have had many DACs here: Audio Alchemy, ARC DAC3 II, Counterpoint DAC10, Muse 296, Electrocompaniet ECD1 and now the incredibly awesome tubed Manley DAC....I own all but the ARC now. The differences between each of these is immediately apparent. In some cases it is extended bass that is quickly noticed or a more in-the-room vs back-of-the-room presentation, more energy on the top, etc. Perhaps I need to try the transport comparison again with the Manley DAC.
I just recently tried a MIT digital cable and yes, this indeed brought on a level of smoothness over the cheapo cable that was previously used. I did convince me that the timing issue is critical with cables. But even this was not a huge difference right away like the DACs. Perhaps a return to the previous cable would make me think otherwise.
And I have not played with power cord swapping yet but it sounds like everyone's claims on this will bring on yet a huge change too. I thought I'd play with a Genesis Lens for a month or so and then remove it to hear what it does or does not.
So if anyone has any ideas as to why so many other things make a far bigger difference than the transports mentioned, I'd love to hear it. And if anyone is interested in the differences in the above mentioned DACS, send me an email.
Thanks.
John