Hi Raul, I am sorry ,sorry for the things I said to you. Since I said that truth is most important, I had a realisation why I am so "mad " at you, not Raul the man, but Rauls unsubstantial postings.
It started when I scrimped and saved to upgrade from my Lehman black cube phono preamp to a Hagerman Trumpet. I all ready owned a Shelter 901 MC cartridge, so I needed a step up. The Bent MU was my choice. At the time it was a popular combination and everything seemed right.
I recieved the units and started listening, playing with the resistors for impedance matching and enjoying the units.
I came across your post on why step ups are so bad and that in no way can you ever get good music from them. You said never will, no way. I read it and started thinking, well this comes from a man with much experience. So I started listening to what you described, thought about buying an active preamp. I never did buy the active preamp and perservered and soon forgot you negative comments about step up transformers and started to enjoy my system. Never did hear the problems you associated with them, the problems could still be there and perhaps some day I will have an active preamp and enjoy it as well. But there I was holding these black and chrome beauties, and Raul was pissing on my parade.
I then started noticing your other posts s.s. vs tube phono preamps, who needs moving coil when moving magnet is best, two subs vs one (at least this one I had covered with two subs), etc... never offering real ways to obtain good sound just negative critisim and negating whole topographies, that were not your way. And how with your test measurement ears, that I did not obviously posess, that I would never get great sound.
I started playing with the real problem of room acoustics. And came to realise it was not me, nor my lack of ability to buy multi thousand dollar equipment that was the problem. How could I not be happy with a $3,000 phono stage? Hey, that is multi thousand dollar! Are Jim Hagerman or John Chapman such idiots and that only Raul knows the true way. As i came to the realisation that without proper room acoustics you ain't hearing anywhere near what your equipment is close to being capable of. I realised what you are hearing and thought, poor Raul, no wonder he is so misguided.
So Raul, I believe that perhaps we both could learn something from this. I could be kinder and gentler in some of my posts and perhaps you could... well I think thats up for you to decide.
The good news is that I still have the Bent step ups and they do everything they should, they are real and the are spectacular.
The bad news is you still have a bad sounding room. There I go again... but really I am sorry and please accept my apologies
Have a good life, amigo.
Bob
It started when I scrimped and saved to upgrade from my Lehman black cube phono preamp to a Hagerman Trumpet. I all ready owned a Shelter 901 MC cartridge, so I needed a step up. The Bent MU was my choice. At the time it was a popular combination and everything seemed right.
I recieved the units and started listening, playing with the resistors for impedance matching and enjoying the units.
I came across your post on why step ups are so bad and that in no way can you ever get good music from them. You said never will, no way. I read it and started thinking, well this comes from a man with much experience. So I started listening to what you described, thought about buying an active preamp. I never did buy the active preamp and perservered and soon forgot you negative comments about step up transformers and started to enjoy my system. Never did hear the problems you associated with them, the problems could still be there and perhaps some day I will have an active preamp and enjoy it as well. But there I was holding these black and chrome beauties, and Raul was pissing on my parade.
I then started noticing your other posts s.s. vs tube phono preamps, who needs moving coil when moving magnet is best, two subs vs one (at least this one I had covered with two subs), etc... never offering real ways to obtain good sound just negative critisim and negating whole topographies, that were not your way. And how with your test measurement ears, that I did not obviously posess, that I would never get great sound.
I started playing with the real problem of room acoustics. And came to realise it was not me, nor my lack of ability to buy multi thousand dollar equipment that was the problem. How could I not be happy with a $3,000 phono stage? Hey, that is multi thousand dollar! Are Jim Hagerman or John Chapman such idiots and that only Raul knows the true way. As i came to the realisation that without proper room acoustics you ain't hearing anywhere near what your equipment is close to being capable of. I realised what you are hearing and thought, poor Raul, no wonder he is so misguided.
So Raul, I believe that perhaps we both could learn something from this. I could be kinder and gentler in some of my posts and perhaps you could... well I think thats up for you to decide.
The good news is that I still have the Bent step ups and they do everything they should, they are real and the are spectacular.
The bad news is you still have a bad sounding room. There I go again... but really I am sorry and please accept my apologies
Have a good life, amigo.
Bob