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Does phono stage noise drive you crazy too?

After using high output moving magnet cartridges for many years, I recently purchased a .5mv output Grado Master 1. I thought that it would be a decent match with my Acoustech Ph-1p phono stage. Reviewers all claim to have used this phono stage with lower output cartridges and had no noise issues that bothered them. I'm just wondering if I'm unduly sensitive to electronic circuit noise, as I find the pairing to be obnoxiously noisy. There's no hum issue, just a "white noise" kind of circuit noise. When I have system volume set to normal highest level listening, I can hear the preamp hiss from the listening seat nine feet away from the speakers. It's not louder than lead-in groove noise, but it contributes to an electronic haze that obscures low level micro-dynamics. I've got the preamp set to 61db. of gain (53db. A weighted noise it turns out.) The Master sounds lifeless and anemic at the lower 52db. gain setting.
Is this state of affairs common? Do many of you just learn to listen through this low level noise haze? At present, it seems that I either need a cartridge with .8-1.0 mv. output to be able to use less noisy gain if I stick with the Acoustech, or I need a phono stage with a better S/N ratio. It surprised me when I started looking for A-weighted phono stage specs, not too many manufacturers seem to want to list that spec.
photon46
tketcham
291 posts
 
Hi, Al; I've been loading the LOMC cartridge at 200 Ohms and 300 Ohms resistance using resistors in the custom loading slots of the PH-1P. I tried 4.5K and 1.0K Ohms resistors but the presentation, while very lively, was a bit too forward (bordering on bright) for my tastes in my setup. I haven't noticed any difference in background noise between the range of 100 to 4.5K Ohms resistors I've tried but I wasn't really listening intently for any differences that might be present. I never did try the 47K Ohms setting.

Regards,
Tom
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rauliruegas
13,112 posts
 
Dear Photon46: Maybe I'm wrong but you Aloia preamp has the phono option that maybe could works better with your Grado.

You posted that with 52db on phono gain the performance is anemic.
52db + at least 10db additional gain from your line stage is a lot of gain and IMHO enough for that Grado for not have that problem and certainly not for sound be anemic.
So IMHO there is a mis-match between that phono stage and the Grado or that phono stage is out of specs.

Btw, check that the Grado pin connectors are connected in the right way and makes tight connection with the tonearm four wires.

Why don't try the Aloia with phono card?.

regards and enjoy the music,
Raul.
tpreaves's avatar
tpreaves
2,687 posts
 
Any noise drives me crazy !!!!
photon46 OP
1,088 posts
 
Al, I reinstalled the Grado on my arm and then set the resistive loading to 100 ohms instead of 47k. That does ameliorate some of the problem. The character of the noise is now softer, less high frequency hash in the circuit noise. I'll have to see if I can try a proper moving coil and see if the ultimate answer is going to be a different cartridge or phono stage. I really like the character of both the Grado and the Ph1-p, but they aren't an ideal match it seems.

Raul, I definitely thought about trying an internal phono card in the Aloia, but the factory won't respond to emails and there isn't a U.S. distributor anymore to my knowledge. There have been a couple that popped up on Audiogon with the phono option, but what holds me back is my doubt that an internal phono card is going to equal the ultimate potential of a high performing stand alone phono stage.
photon46 OP
1,088 posts
 
I suppose I might also mention that a low output Grado, as the factory has stated to other Audiogoners, doesn't seem to care what resistive loading it sees. It sounds basically the same running into 100 ohms as it does into 47k. I'd never bothered to test this before, but it's true as far as my ears can tell.
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