Dear @slaw /friends: The Stevenson alignment is " valid as said lewm but non-practical and really useless.
This alignment only gives lower distortion levels in the last 6mm. of recorded LP side and against Löfgren A alignment that happens in the last 4mm. ! ! ! all over the LP side Stevenson alignment has higher distortions.
Problem is that not only Stevenson but the followers ( mainly japaneses tonearm manufacturers and audiophiles. ) just did not analize the reality that's that almost none recorded LP side has " cresendos " only in the last 4mm-6mm ( inner grooves. ).
To my mind comes the Ravel's Bolero that ends at the higher climax but I can't think or comes to my mind other composition and if we take composers as Mahler his " cresendo " in the compositions are all over the compsitions. Same with other compositors. Even the works by Bach as the Toccata y Fugue comes the cresendo not at the end.
Perhaps for some of you Stevenson still make sense and I respect that. For me has no sense at all and can't help to any audiophile. MUSIC belongs to the whole compositions.
Even in the 7" recordings make no sense because instead of the last 4 mm. this number change to only 1 cm.. of the overall recorded surface.
Stevenson has not the culprit, for he was valid his alignment calculations. The culprit comes from those " vintage " followers and latter on from " stupid " persons that wanted to sold the idea more by commercial $nterest and they were sucessful about but it's time to rectify because all those " promotional followers " were wrong because their interest was something else but MUSIC.
Anyway, as always is up to you.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
This alignment only gives lower distortion levels in the last 6mm. of recorded LP side and against Löfgren A alignment that happens in the last 4mm. ! ! ! all over the LP side Stevenson alignment has higher distortions.
Problem is that not only Stevenson but the followers ( mainly japaneses tonearm manufacturers and audiophiles. ) just did not analize the reality that's that almost none recorded LP side has " cresendos " only in the last 4mm-6mm ( inner grooves. ).
To my mind comes the Ravel's Bolero that ends at the higher climax but I can't think or comes to my mind other composition and if we take composers as Mahler his " cresendo " in the compositions are all over the compsitions. Same with other compositors. Even the works by Bach as the Toccata y Fugue comes the cresendo not at the end.
Perhaps for some of you Stevenson still make sense and I respect that. For me has no sense at all and can't help to any audiophile. MUSIC belongs to the whole compositions.
Even in the 7" recordings make no sense because instead of the last 4 mm. this number change to only 1 cm.. of the overall recorded surface.
Stevenson has not the culprit, for he was valid his alignment calculations. The culprit comes from those " vintage " followers and latter on from " stupid " persons that wanted to sold the idea more by commercial $nterest and they were sucessful about but it's time to rectify because all those " promotional followers " were wrong because their interest was something else but MUSIC.
Anyway, as always is up to you.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.