Dr. Feickert Protractor

Dear @jperry : About the MINTLP you posted:

"""  A great tool if you only have or will have one tonearm. """

I think it's a great tool even if you own 2-3 tonearms. There is nothing better than a TT/tonearm DEDICATED protractor that was made in specific to those items specifications and you can have it for only 125.00 for each tonearm.

makes no sense to invest any dime higher than those 125.00 even if you own several tonearms.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

Well sort of Raul, but if you own 4 or more tonearms it starts making economic sense to own a more versatile setup device.

Have a great day and enjoy the music.

Dear @slaw /friends: The Stevenson alignment is " valid as said lewm but non-practical and really useless.

This alignment only gives lower distortion levels in the last 6mm. of recorded LP side and against Löfgren A alignment that happens in the last 4mm. ! ! ! all over the LP side Stevenson alignment has higher distortions.

Problem is that not only Stevenson but the followers ( mainly japaneses tonearm manufacturers and audiophiles. ) just did not analize the reality that's that almost none recorded LP side has " cresendos " only in the last 4mm-6mm ( inner grooves. ).

To my mind comes the Ravel's Bolero that ends at the higher climax but I can't think or comes to my mind other composition and if we take composers as Mahler his " cresendo " in the compositions are all over the compsitions. Same with other compositors. Even the works by Bach as the Toccata y Fugue comes the cresendo not at the end.

Perhaps for some of you Stevenson still make sense and I respect that. For me has no sense at all and can't help to any audiophile. MUSIC belongs to the whole compositions. 

Even in the 7" recordings make no sense because instead of the last 4 mm. this number change to only 1 cm.. of the overall recorded surface.

Stevenson has not the culprit, for he was valid his alignment calculations. The culprit comes from those " vintage " followers and latter on from  " stupid " persons that wanted to sold the idea more by commercial $nterest and they were sucessful about but it's time to rectify  because all those " promotional followers " were wrong because their interest was something else but MUSIC.

Anyway, as always is up to you.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

It is an excellent tool. However, be sure to verify the absolute calibration of the pivot to spindle dimension. My protractor was off by about 1mm. A setting of 258mm for a VPI arm, was actually 259mm.  Easily acounted for by setting the protractor to an indicated value 1mm less than desired.
I verified my protractor by using a metric ruler, and verified the ruler against another ruler.

At the risk of starting another war, I would like to offer the following observation.  The MintLP, which I happen to use myself and like quite well, is based on the Stevenson model.  Sorry Raul.  Which, leads to my main reason for posting: The differences between all of these models:  Lofgren, Baerwald, and Stevenson are not great.  Certainly not worth the steam they consistently cause to be generated in these discussions.  Furthermore, for any who would care to spend the time, the Logren and Baerwald models are so close that it is all but certain that the difference in sound between them is imperceptible all else equal.  Trust me on this unless you have nothing better to do.  In which case I feel sorry for you.