Hi Cal,
As you noted I did the amplifier cathode resistor modification and I’m on my 3rd pair of the Elrogs. One tube has recently failed and the other is working fine. My conclusion is that the Elrog 300b despite its superb sound isn’t a good choice for the Coincident Frankenstein MK II. I’d recommend the Takatsuki and EML XLS as better companions. The EML XLS especially is an ultra robust workhorse tube that seems ideally suited for the Frankenstein’s particular demands. This tube is rugged, exceptionally reliable and sounds truly excellent with this amplifier.
In absolute terms the Elrog is a bit better sounding and has a "more" organic character. However the "bulletproof" EML XLS makes beautiful, dynamic and very engaging music without question. This is a top echelon 300b tube in my opinion. In the proper amplifier the Elrog is brilliant but it is seemingly too delicate for long term use in the Frankenstein. This is my conclusion and others may disagree.
Charles,
As you noted I did the amplifier cathode resistor modification and I’m on my 3rd pair of the Elrogs. One tube has recently failed and the other is working fine. My conclusion is that the Elrog 300b despite its superb sound isn’t a good choice for the Coincident Frankenstein MK II. I’d recommend the Takatsuki and EML XLS as better companions. The EML XLS especially is an ultra robust workhorse tube that seems ideally suited for the Frankenstein’s particular demands. This tube is rugged, exceptionally reliable and sounds truly excellent with this amplifier.
In absolute terms the Elrog is a bit better sounding and has a "more" organic character. However the "bulletproof" EML XLS makes beautiful, dynamic and very engaging music without question. This is a top echelon 300b tube in my opinion. In the proper amplifier the Elrog is brilliant but it is seemingly too delicate for long term use in the Frankenstein. This is my conclusion and others may disagree.
Charles,