Equalizer in a Hi Fi system


Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings. 

tattooedtrackman

@tattooedtrackman , you’re missing the broader point that MANY pro EQ sound equally as good. In other words, try @mirolab ’s Skyline Vintage unit. It is 300 dollars LESS than the Loki Max. And based on my very favorable listening experiences with the Avalon and Millennia units (both of which sounded better than Loki, easily), that you’d do great with @mirolab s recommendation. I will likely try it out of sheer curiosity. As I’ve done with other studio EQs. I’m very very passionate about this approach. For a decade now. The sound of a good studio analog EQ in your chain will blow your mind. Also of huge advantage is the dual channel control of his Skyline. Super easy adjustments on the fly like Loki. But better sound

Oh, by the way Mike Deming generation CO sound SUBLIME. the newer CO models with the dull faceplate to differentiate them still sound better than the Loki Max

@tlcocks 

You have to pardon my sense of black humor. I have to use hair spray or it sticks strait up. I'm too old to look like Maynard James Keenan. 

Which Martin Logans are you using? They and your room are the most important part of your system. I assume you do not play vinyl? 

I will have a DEQX Pre8 shortly. I will be biamping the Sound Labs using a Bricasti M25 to drive the high frequency transformers above 5000 Hz using the crossovers in the Pre8

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@tattooedtrackman , if you make such a change, it may prove very exciting and gratifying for you. 
 

@mijostyn , thanks for your comments. Your knowledge base in the digital realm clearly goes beyond mine. I just know what sounds great and what doesn’t and have hit upon an equation that works for me. I have had many say my approach sounds seriously good, so I guess I’d simply say just be open minded is all. My speakers are old. They are Martin Logan Montage dipoles. They are entry level hi fi but were favorably reviewed in Stereophile. And I’ve heard them on seriously great amplification at Audible Images in Melbourne compared directly against 12,000 dollar Sonus Faber Olympica speakers. Ed the dealer there and myself were shocked that the didn’t lag very far behind. But they did. And when I update the speakers I will really have a killer sound. Honestly, the pro studio CO has upped my game so much that I simply have been complacent in replacing them as the SQ is already phenomenal.