Equalizer in a Hi Fi system


Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings. 

tattooedtrackman

@mahgister , I don’t believe he has tried what Miro and I have tried. I am pressing him for a specific answer because Miro and I are really on to something and I want others to try and he is blanket discrediting us with his snide comments about digital being better than analog for ALL applications. It’s just not right. It’s just not true!

Audiophiles are fearful of treble boost because of people like @mijostyn discrediting without trying the studio proven methods that really really work well in the home too. How can I get my passion and experience with this one topic out there for others to try when he keeps running it down without personal experience?  It’s not right. 

i believe you ,even if i am not used it, that digital Eq and Analog EQ are not only different but can be helpful for some task the other cannot do so well... As mechanical room control can be useful and work in a way the other two could not do so well ... They are all tools which must work together when it is possible ...

And i believe you because hearing is not completely understood and Fourier maps so useful they could be technologically and they are in hearing helps devices for example , thanks then to Fourier methods of mapping for all modern audio tech; , but so useful it is hearing cannot be reduced to be a Fourier engine anyway and it stay not so well known territory to explore with many competing theories or ways of mapping it ...

After all, Choueiri investigation in stereo system hearing flaws and his own correcting filters solutions for example did not have more than 15 years ....

 

@mahgister , I don’t believe he has tried what Miro and I have tried. I am pressing him for a specific answer because Miro and I are really on to something and I want others to try and he is blanket discrediting us with his snide comments about digital being better than analog for ALL applications. It’s just not right. It’s just not true!

Audiophiles are fearful of treble boost because of people like @mijostyn discrediting without trying the studio proven methods that really really work well in the home too. How can I get my passion and experience with this one topic out there for others to try when he keeps running it down without personal experience? It’s not right.

@mijostyn do you realize the build quality of these high end studio components actually always has set the benchmark and the bar for quality for audiophile gear?  Where do you think home hi fi is spawned from?  THE RECORDING STUDIO!

There is studio mastering gear that is built of the quality of summit fi hi fi gear that goes new for upwards of 9-12 thousand dollars. 

Analog is FAR from antique and its use is alive and well in recording studios across the globe. IT’s technology has advanced too. Just like digital. I’m sorry @mijostyn , but on this one topic you just, frankly, don’t know what the hell you’re talking about.