One more thing. Head tracking is essential. Don’t skimp on the head tracking
Equalizer in a Hi Fi system
Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings.
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We are all perfectionists, or we wouldn’t be here. It is amazing to me that the digital algorithms have advanced so far that we can “trick” our brains, OUR brains, not the average casual listener brain, that well. One would expect we would hear SOME form of err or seeming misrepresentation, be it timbre related, or phase temporal blur, image specificity or what have you. Just the slightest SOMETHING. That we’ve come that far creating this enveloping 3-D with 2 channels is amazing. |
It is the stereo system that trick our brain because they are all flawed ... The BACCH filters DSP dont trick the brain , it help the brain to recover spatial musical information which is already there in the room and in the recording in particular but is lost by the crosstalk effect ... Then this DSP help the brain to do his natural working... Because as said Choueri when we listen a bird in nature singing , there is one bird ,not two as in stereo ...
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Yes, I understand that @mahgister but when we hear envelopment or surround dispersal of the 3 D soundstage but it’s coming from 2 front speakers it’s still the brain being tricked. Simply because you don’t have all these performers surrounding you in the room. You have two front left and right speakers. but I get what you’re saying. Anyway for this software to do what it’s supposed to do but still meet the toughest audiophile standards for SQ is a tough challenge! Can’t wait to hear. |
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