Establishing a common analog listening bias


Maybe it is possible to establish a widely accepted common ground in terms of listening bias by choosing and agreeing on 10-30 LPs all readily available new to all audiophiles for decent price.
If all listening tests and personal comments regarding the sound of components and systems in the various threads and posts would refer to any of these LPs mainly, everyones comments and experiences would much easier be understood by their fellow Audiogoners.

How about an "Audiogon baker's double-dozen"?

This would create a solid ground for all of us.

How do you think about this ?
dertonarm
OK, what about some POP 'side-kick(s)'

Peter Gabriel "SO" (detailed but may be a bit hot mastered?)
Paul Simon "Graceland" (explosive percussions, voices, the lot)
A.
Dear Axel, I love "Graceland"!!
Haven't listened to "So" for more than 15 years.
Graceland does indeed have an excellent wide range of very different tracks and Ladysmith Black Mazambo's two pieces do add extra spice and most impressive a capella.
A landmark record.
Cheers,
D.
Daniel:It does not sense to drive a Ferrari in a " road "/record where you have to stop every 30-60 seconds because the " road " have tiny imperfections where the " Ferrari can't go on ", it seems to me that is better ( for the day by day music enjoyement. ) to drive an all purpose VW that can go on and on and left the Ferrari only for especial " times/ocasions ".

A Ferrari demands not only a skill driver but an almost and especial " road/track ", well in audio world and especially on the quality of the records everything is almost a " disaster ": no perfect world here.

I always look for " perfection " where I know for sure that I can reach it or where I have the control but in a " road/record track " where you can't be sure in which right conditions was made ( cut. ) and where the " things " change almost every track , why to use a Ferrari that can't " move on "?

Anyway if " drive " ( because you almost can't advance. ) a day by day Ferrari makes you happy go a head, I already pass for that step in my audio learning curve and now I'm learning and enjoying new experiences: the world has to move on!!!!

Regards and enjoy the music,
Raul.
Raul, this is news for me, I thought your position was that you said we should always strive for the best e.g. with 0.01dB RIAA deviations?
Henry, No sir you did not offend me, if that's what you hear from your pressing then that's what you hear.

As you know what Dertnarm is after is current and readily available pressings for anyone interested in participating.

My RCA pressings of Belafonte Live are not. The most recent being Classic Records 45 RPM single side box set from a couple of years back and a fairly decent early original pressing.

None of what you and Axel heard on your copies exist on mine.
The opening introduction that leads into Darlin'Cora the audience clapping is distinct and well rendered you immediately get a sense of the size of Cargenie.

The horn section puts a quick end to the clapping then the concert begins.
No where from the intro to the final of the concert do I hear anything remotely to which you described.
All and all the music is vibrant and entertaining

There are many things to be heard that the mics picked up during this concert, from the guy near the stage with some sort of bronchial problems ,subway to a transport outside going through his gears.
Its all there whether you want to hear it or not, it's live.

The current and still available double Lp re-issued by Classic Records is a fairly decent copy.
Compared to a very good pressing on a scale of 1 to 10, I would rate this currently available copy a 6.5 out of 10.Ten being the good pressing.

The intro is a bit washy,the horn section is a tad bright.
Belafontes vocals lack dynamics through out.
More so apparent on the track "John Henry" also there are portions where his voice is a tad harsh on this particular track.

Over all the musical flow of things are a little dull compared to a good pressing.
I borrowed this current issue yesterday to bring this information here.

For decades it's pretty much common knowledge this rare live RCA Victor recording is superb through and through.
However this is not what this thread is about.