I knew you will say it, haha
sorry
sorry
Fidelity Research cartridges
Yes, it’s unforgivable to divert attention away from the FR-7, isn’t it? 😉 Getting back on the right - uh - track, changing the P2S distance of the FR-64S (or FX for that matter) when using the FR-7 is not a very good idea. With P2S distance at 230mm you get perfect Stevenson alignment (the stylus ’hits’ all three ’o’ points on the Feickert protractor). This is clearly what Ikeda had intended. Changing to 231.5mm changes the geometry of the tonearm to Baerwald, but it will not be possible to align the FR-7 to this geometry. At least not according to the Feickert protractor. With the fixed headshell arrangement of the FR-7 there’s no way to adjust this. I did try the Baerwald geometry with other (adjustable) cartridges, but I don’t hear the sonic benefits compared to Stevenson, so I decided to stick with Ikeda’s original specifications in all cases. |
edgewear, Being dogmatic is only ''allowed'' if you are strong believer in whatever religion . There are not many carts with fast headshells. The most can be adjusted in their headshell to whatever geometry ( aka eff. length). Even Dertonarm used his FR-7fz with Bearwald geometry. But I am not sure about Syntax about whom I don't dear to guess. |
So I can't wait till I find whatever about this ''mysterious'' Takeda '' Ivory'' cart. Next to your impressive cart collection you also have many carts pictures so I hope also Ivory? @nandric this is the only Miyabi Ivory picture i can find. Art Dudley has mentioned this model in his review from the late 90’s. BTW The Miyabi MCA looks completely different. @edgewear I did try the Baerwald geometry with other (adjustable) cartridges, but I don’t hear the sonic benefits compared to Stevenson, so I decided to stick with Ikeda’s original specifications in all cases. right, me too |