Fremer's review of the Anna cartridge


Fremer reviews the $8499 cartridge very positively, but it takes three different samples of the cartridge for him to get there. The first sample exhibited "an incompatibility between the adhesives used and the elastomer of which the cartridge's damper is made." Fremer notes "[e]vidently, however, this problem didn't affect every Anna that left the factory." Wow, what a relief. In the second sample, apparently "some the glue that secures the stylus in the cantilever had dripped." The third sample, after 100 hrs of break-in finally delivered. Fremer suggests buying and using an USB microscope as part of the cartridge buying process.

Does anyone else think this is absolutely nuts? It seems to me, at this price level, every single cartridge should be absolutely perfect. Haven't Ortofon heard of quality control? This also applies to Lyra whose $9500 Atlas cartridge had the stylus affixed to the cantilever at an angle that made it virtually impossible to get the SRA of 92 degrees.
actusreus
Raul, I was in the home of another audiophile last week, to audition his huge horn system; with mammoth horn woofers, the multi-way speaker takes up half his listening room. His cartridge was a special Audio Note Io that has field coil magnets (i.e., the magnet is an electro-magnet that must be separately energized). $10K, if you can find one, since they are discontinued. Anyway, during the course of listening to 3-4 LPs, the sound suddenly went very sour, and upon close inspection the owner found that the stylus had come off the cantilever of his Io. Either the glue failed (if the stylus was glued) or the press fit failed due to fatigue. He never lost his cool, however, because, he said, he has another such Io, NOS. I would have been tearing my few remaining hairs out of my head. It takes grande cojones to be a high-end consumer.
Onhwy61,

Do you think that Ortofon will replace every Anna that is returned because the owner is not sure what's wrong but doesn't think the cartridge is working properly?

I don't.
I'm not going to speculate what Ortofon will do, but this is what I would do if I were a cartridge manufacturer in a similar situation. I would contact each registered purchaser of the cartridge and offer an explanation of what the problems with MF's review samples were. I would further offer any owner a factory review and re-certification of their cartridge at no cost. If during that review process a cartridge is determined to be out of spec or defective I would offer a free repair or replacement. For cartridges that I determined to be past their useful life due to normal wear and tear I would offer a reduced price replacement. Cartridges that I deem to have been mishandled or abused would be handled on a case by case basis.
Dear Lewm: Yes that can happen like with Ortofon or AN and with other top cartridges. It happened to me more than once.

I agree: ++++ " It takes grande cojones to be a high-end consumer " +++++

The situation with the Anna is nothing new on the high-end audio items market. How many of us laready experienced several troubles with new products as: TT/tonearms, electronics or speakers?, I think that every one of us already experienced some way or other.

I'm not saying to justify that bad QC but we know that that bad QC in some items is the " bread " of every day and IMHO is a SHAME it still happen today. Why pay we so high prices for that kind of bad QC items?

Regards and enjoy the music,
R.