Fundamental importance of power management


I have two systems, one is a fairly simple low power computer-based system in an office building environment.  The other is a bit more elaborate home theater system used for mostly 2 channel listening.  I have recrntly focused on upgrading the power management and delivery to both with great rewards.

I have been struck repeatedly by the effect of different power cables in my system, but I was astonished recently by the effect of putting my laptop source, all computer peripherals including external hard drive and sub on a low cost power conditioner strip I had laying around the office for multi media presentations.  Sound was always a little edgy with this system, even though the Audio Engine desktop amp was on a modest Belken power conditioner.  The effect of putting the computer set up and the sub on a separate conditioner in this noisy environment sounded like a major, major equipment upgrade.  

This increased my interest in cleaning things up powerwise ahead of my home system, even though I have a dedicated 30 amp breaker and 10 gauge supply line, and I would not think home power would be as dirty as an office building.  Each step including an upgraded power strip, conditioner and supply cable, replacing switching power supplies with linear supplies, and trying different power cables for gear has increased my enjoyment greatly, and seems to be allowing the character of each component to shine out, reinforcing the positive attributes of each and the whole.  Because this is a home theater, I have more equipment in a relatvely small area compared to an analog only set up, so some of the benefit may be mitigating self inflicted wounds.

So in my experience, power management seems critical, and the foundation all other “solutions” to getting the best sound must be built.  Down with plug and play.


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@Eric>
We shouldn't put amps which can discriminate between power cords up on an altar, we should ridicule them as having woefully under designed power supplies.

Blindjim>
I agree with your insights on addressing various aspects of the system's power delivery. Unquestionably.

however....
regardless the amp, preamp, or source component, EVERY thing that gets plugged into the buildings electrical service is or can be afffected by several things...

impeadance, resistance, conductance, and capacitance, as well as those issues which detract from a pure electrical potential's delivery of a steady state voltage and the frequency at which it is maintained.

EVERY power cord adds an element of all those electrical atrributes. to the down stream device. REGARDLESS that device.

some will argue too that even the fashion the PC is constructed, its dialectric, its connectors/plugs, and even how the conductors are laced, adds yet more audible characteristics to which ever component it is attached.

perhaps…. dunno.

i really don't want to be seen as derogatory or starting another cable bonfire though I do feel the need to, as the OP alluded, underline the notion that from the power pole/service box, to the device (s), what ever can be done to mitigate anomolies on those lines is critical.

also as the OP said, one simply will never know the outcome of addressing this area unless they do it first hand to the extent they reasonably can!

the 'size' of the feed is not nearly as important as is the way its fed from the service panel to the outlet, meaning the breakers, and conductors carrying the electricity.

a dedicated power line, bundled up with two dozen or so more latex and paper shielded romex runs are not the last word in maintaining separation from inductance.

this is another item that adds unwanted issues.
 
isolation is the ticket when it comes to most things audio, or such is my EXP so far. the better I've isolated devices from electrical problems, the better the results! Period.

just dressing cables so their runs aren’t a bowl of spagetti helps.

I won't make a point of how systems are setup at shows, but will take issue with individual setups in friends homes and my own.

Pass Labs has been for damn near ever deemed an outstanding line up of amplifiers. VAC is as well. so are any number of other makers, Merril, Yipsalon, Gryphon, DCS, EMM Labs, Bel Canto, etc.

every one of these makers amps or sources responds to different power management schemes, or power cords, differently.

so exactly where is that line wherein we should begin blaming the makers for providing us with pooer power supplies within their products

my thor line stage has an outboard PS and it is affected by various power cables, acordingly.

, VAC statement products... their top best they can do products have external power sups for their devices. we're talking upwards of components running six figures here, and even these over the top PS are affected by conditioners and power cords. not to mention what is flowing on the incoming power lines.

as I interjected 'isolation' here, these items are as well affected by harmonics in genera. and why racks, platforms and stands are yet another area to consider when attempting to formulate a system that is shielded as much as one can from environmental forces so the purest audio signal possible can be produced.

naturally, we get in where we fit in. not many can afford $8K amp stands for each component, or PCs that are as costly. it is prudent then to take steps to address as much of the electrical issues and harmonics as one is able.

we don’t know what we don’t know, BUT we sure as Hell can find out!

and we should.
@sleepwalker65 that’s fundamentally good advice on breaker.  Sounds good but will replace immediately.

On the 18 guage cable.  Maybe.  I have heard very few modern amplifiers with 18 guage cables.  I think my old Kenwood amp from the 70s had a lamp cord.

I have only heard one stock power cable that performed on par with an aftermarket cable, and that was versus one I built myself with hardware store parts, and it was not necessarily worse, just different.  In every other case and with every other after market cable either purchased or assembled by me out of parts, the aftermarket cord sounded better.  Wondering what others have experienced?
18 gauge power cables were just one example for a modest amplifier. If you have an amplifier that draws 10 amps, 18 AWG won’t do, and you’ll need to step up to 16 AWG, above that, to 15 amps use 14 AWG, then up to 20 amps use 12 AWG. Minimum ampacity with a tiny bit of headroom is what you should be aiming for. All cables need to be routed away from fields of alternating magnetic flux to mitigate inductively coupled noise. Remember though, all noise is generated externally to your analog equipment, and that’s where you want it to stay.
18 gauge power cables were just one example for a modest amplifier. If you have an amplifier that draws 10 amps, 18 AWG won’t do, and you’ll need to step up to 16 AWG, above that, to 15 amps use 14 AWG, then up to 20 amps use 12 AWG.

While I agree that the gauge of cables should be tailored to the component... 

From my own personal experience and observations....
  • I consider my amp to be "modest" 
  • It is solid state -  - NAIM 5i MKII integrated - 50 watts per channel
  • I have tried 14, 12 and 10 gauge power cables on it
  • The best it sounded is with the 10 gauge cable
  • The cables used were "home grown" - so
  • they all had identical plugs, geometry and wire quality
  • the biggest improvements was satisfying the high current demands  of very dynamic transient spikes.
I'm sure that 18, 16 and 14 gauge would be adequate for tube amps/components because they use voltage to do the "heavy lifting", but from my observations it would appear that Solid State gear requires a heavier gauge power cable to handle the high current draw.

Just another opinion  :-)