Glanz moving magnet cartridges


Hi,

I have just acquired an old Glanz G5 moving magnet cartridge. However, I cannot find out any details about this or the Glanz range or, even the company and its history.

Can anyone out there assist me in starting to piece together a full picture?

Any experiences with this or other Glanz's; web links; set up information etc would be warmly received. Surely someone knows something!

Thanks in hope
dgob
Hi Nandric,

I'm still hoping to hear the 71 L and, as you point out, it's performance specifications are nearly those of the G5 and G7. Our distinct systems do seem to allow agreement on the quality of specific cartridges and that's also interesting.

I've been tied up in trying to design and build a plinth for my SP10 and so have not been listening to as much vinyl as I would normally. Still, I hope to be back with deck shortly and to unleash the Glanz and company.

As always...
Dear Dgob, I am alas the owner of two 'left hands' so no chance for me to build my own plinth for my SP 10,mk II. My hope is that Vetterone will be intriquied with my Glanz 5 in such a way that he will offer one of his plinths in exchange. He make them himself from his own material so it may be the case that this swap is interesting as well as profitable for him (grin). BTW the performance specifications you mentioned can't be attributed to me because I have non. I only mentioned the similarities between the styli. To compare them in A-B-A configuration is possible but I would need to disconnect the Benz LP S from the Triplanar and Kiseki Goldspot from the Reed 2A to do so. But I spend 3 days to adjust both. I also need to open my Basis Exclusive for the purpose. Not an appealing proposition alas. I wish you all the success with your plinth but if carpentry is not your profession I would advice to contract out this work. Your 'own' Adam Smith wrote about division of labour 'ages' ago.

Regards,
Hi Nandric,

Fortunately, the extended family and available professions means a cost free (well at least as far as labour costs are concerned) project here - except the cost of patience! It's great fun and I'm becoming increasingly aware of the constraints under which TT design and (more specifically) plinth design staggers. We'll get there soon enough but are looking at a couple of design challenges for which the known prior approaches seem inadequate.

Thinking caps are truly on.

As always...
There’s no denying the tenacity of Nikola….
Here we have an esoteric cartridge Thread begun by Dgob (no slouch in the perseverance stakes himself) which may well have died from lack of contributors were it not for the surprising intervention of Nandric?
Surprising…in that he himself had no experience with the topic at hand….nor was he to gain any for almost the entire duration of the Thread?

Floundering initially in the vacuum he found himself…….Dgob kept plugging away, enticing us with tales of myth and promise and begging for responses…information….contributions.
Anyone?….anyone?…..
And then came Nikola….into the fray at first like some tentative Dutchman…….but gently and increasingly displaying his Slavic origins by somehow managing to contribute readable posts without offering the qualifications one normally requires of a ‘mentor’?

Sucked in by this audacity…..others….. also suitably unqualified enough to speak….found their tongues and so the Thread survived.
Still prodded back to life by Dgob however, whenever it seemed to collapse under its own lack of substance…..until out of the gloom (and without fanfare of any kind) dropped a post by Vetterone who, like Dgob, actually had heard and owned some Glanz cartridges.
To Nikola…this was just what he needed. Validation from an expert practitioner in the field of analogue……
And so the quest began in earnest for Nandric to acquire these ‘unicorn’ cartridges for himself. And in this he was successful to the tune of four different models….

And why, you may ask…..do I summarise all this for the patient, baffled readers still wondering why they continue to read about cartridges they have never seen nor heard and are unlikely ever to do?
Because dear readers……I now have all four of those Glanz cartridges belonging to Nandric.
Look well dear readers at these cartridges, for you are unlikely ever to see so many Glanzs (Glanzae? Glanzi?) in the one place at the one time?
Nandric wanted me to hear these mythical beasts and give my opinions.
So…for what it’s worth, here it is…….

The G5 (M5 stylus) with its sexy chromed integral headshell was initially mounted in one of my Fidelity Research FR-66s 12” tonearms on the Raven AC-2 turntable whilst the MFG-31L, MFG-51L and MFG-71L were all mounted in wood headshells on the SAEC-8000/ST tonearm on the nude Victor TT-101 DD turntable.
After suitable run-in times for all cartridges…..listening began.
At first it was almost impossible to distinguish between the 31L, 51L and 71L….so alike were their sounds.
This is unsurprising when one studies the specifications of each cartridge to discover that they are to all intents and purposes identical?

Dgob began this Thread by focusing on the G5 integral headshell model and continued with his enthusiasm….eventually including the G7, also an integral headshell design.
I found the G5 to be a pleasant but unremarkable cartridge….very dependent on tonearm matching (it sounded fine in the FR-66s tonearm but in the Micro Seiki MA-505s the sound became recessed and boring with a loss of bass slam and an overall lethargy to the music).

The ‘normal’ Glanzs were rather more convincing in their overall presentation with a better refined frequency extension.
The bottom depth does not compete with the ‘hard-hitters’ in my collection…..but I can certainly live with the smooth, unfussed beauty they provide.
I was able to pick up some slight differences in the three models with my preference going to the MFG-51L over the MFG-31L.
The MFG-71L strangely enough…..was my least favourite….although I stress again the differences were subtle in the extreme.

Had I heard these cartridges a year or so ago……I would have ranked them quite highly but recently I have acquired some samples (all MMs)…..which have raised the bar and revealed a presentation and information extraction that has shocked and delighted me…..

Nevertheless…..I kept the Glanz MFG-51L and sent Nandric a pristine example of an AT-155Lc cartridge complete with its original square shank, nude mounted line contact stylus on its beryllium cantilever for transplanting into his Signet TK-7LCa.
It will be interesting to hear his views on that compared to the Glanz G5?