Frogman, life is short.
Hear my Cartridges....🎶
Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup 😎
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.
With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....🤪
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.
I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....🤗
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup 😎
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.
With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....🤪
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.
I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....🤗
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- 628 posts total
OK....this is an interesting comparison 🧐 A current US$10,000 LOMC Cartridge (The Palladian) against a cheap vintage MM (Victor Z1) fitted with a Jico SAS stylus. The Acoustical Systems Palladian is one of the finest current LOMC cartridges I've heard, beating out....in my system.....Lyra Helikon, Lyra Titan i, Lyra Atlas, Dynavector XV-1S, ZYX UNIverse and lots of others. ACOUSTICAL SYSTEMS PALLADIAN Titanium bush-hammered body with Micro-Line Stylus on Aluminium Cantilever. Running directly into the Halcro DM10 Preamp/Phonostage. VICTOR Z1/SAS Next in line after the X1 in Victor's MM hierarchy, the Z1 is plentiful and cheap on the Japanese used cartridge market. With a SAS stylus attached......its performance exceeds the Victor X1-IIE in my system. |
This time on iPad instead of iPhone; same earbuds. Was hoping to listen on my Stax Lambdas/tube driver but discovered that my mini plug to RCA cable is at my son’s place; maybe next time. Listened to Palladian then Victor. Palladian: There is a bass line at the very beginning of the song that shows right off the bat that the Palladian has much better bass control. On the Victor the bass sounds bloated and overly resonant. On the Palladian the bass is realistically tighter and the pitches of the notes are much more easily heard. There also seems (earbuds) to be better extension at the frequency extremes, both low and high. Typical MC trait, individual images seem more separate and distinct from each other, but are a little smaller and with less image density. While very smooth (too?) overall and a little bleached sounding tonally, the sound is more extended top to bottom. Victor: As Halcro has said, they certainly seem to have the midrange magic. While there seems to be less extension at the frequency extremes what is there is more tonally realistic in certain ways. It wasn’t until I listened to the Victor that I realized that the acoustic guitar might be a twelve string guitar. More of the instrument’s distinctive character is heard with more metal in the sound of the instrument’s strings. Likewise for the strings (violins). With the Palladian they occupy a more delineated and separate place in the mix, but they are not as realistic sounding and, if anything, are a little too smooth sounding. The Victor lets one hear more of the sound of rosin grabbing the strings. With the Victor there is more metal in the sound of cymbals, while with the Palladian they sound a little wispy and papery by comparison. As much as one can tell listening this way, I would bet that the overall presentation is that of a larger soundstage with the Palladian. Amazing that given the price differential the Victor is not shamed by the Palladian. The Victor reminds me of how I feel about my Stax F-81’s. Midrange to die for, but the limitations at the frequency extremes are almost a deal breaker. My two cents. |
- 628 posts total