Help for a vinyl novice


Hello,

I've swam about in hi-end audio for over a decade now, but only in the digital world. I've had plenty of experience with tubes, ss, planars, drivers, etc. However, i'm making the plunge into the deeper waters of vinyl. Whenever I see a good, "entry-level" tt for sale, I immediately start researching it here and elsewhere online. And, of course, there are as many good reviews as there are detractors and I end up with cold feet.

Could someone point me to a solid tt under $1K, including arm and cartridge? I'm not averse to upgrading either at a later date and feel comfortable enough to undertake such an upgrade as needed, though not immediately.

I have a pair of Reference 3A de Capo i's being powered by an LSA Statement integrated with an MM phono input. My listening room is small - 10'W x 12'L x 7'H - and I have an 8" Velodyne sub lurking in the corner.

Maybe take a look at what's being offered now and advise? or advise what to look for in future listings?

Thank you much,

Simao
128x128simao
So - I went on an impulsive hunch and ordered a Pro-Ject 5.1SE yesterday. Came with the Blue Point 2 and the carbon fiber arm.

I mean, I researched the heck out of it before I ordered it, so it wasn't just a "oooh - that looks pretty and audiophile-esque)" decision. But I wanted something I could be happy with and build on as needed.

About ten years ago in another life and with a lot more money than now, I had a Meridian/ARC/Maggie system and though I don't know whether I'll get into vinyl enough to warrant laying out that kind of cash again, I did want something beyond a nouveau-hipster tt.

Anyhow, thank you again for all the advice - especially the warnings about the Linn. I actually look forward to learning how to tweak and adjust and fuss with my vinyl components, so in a few years maybe I'll move up to something like that.

Question, though - since the stylus feeds into the cartridge which feeds into wires - doesn't the quality of those thin wires leading back to the IC's really determine the sound quality?
Congrats... and enjoy! It sounds like you made a sound decision for sound reasons. :-)

Yes, the quality of tonearm wire has a significant impact on sound quality (more so with a LOMC than MM). Upgrading those wires is one of many tweaks that vinylphiles love to get into.
Technics vs. Linn:

Used Technics $500 w/ cart
Used Linn LP12 Sondek $1k - $1.5k w/ cart (or more)

For me, the difference in price was why I went with the technics. I couldn't justify the expense right out of the gate of the LP12. I wanted a good platform that I can tweak, upgrade and mess around with. The 1200 is just that. There is just a *ton* of support out there for the technics. Many time tested (and proven) advise and upgrades.

Also, at these price points, I don't think the LP12 offers 2-3x the performance the technics does. For my money, the better value is the 1200. I mean really, you can't go wrong with either one..
Question: the Pro-ject came with its separate IC's and grounding wire. If I want to use my own ICs, can I just separate the ground wire from the existing Project IC's and use it with my own IC?
No problem Simao. Just separate the ground and use it with the interconnects of your choice. That what I did. Enjoy the music!