Czarivey, You own one of the few LT tonearms that operate as you describe. I believe Mr Rabinow invented the idea of having a little motor move the tonearm in increments, when it makes contact with a tiny switch located back behind the pivot. Like you say, this assures that the Rabco tonearms (and the Goldmund TF tonearms which copy Rabcos) are swinging in tiny arcs across the surface of the LP, for good or ill. But most modern LT tonearms are either riding on an air bearing (with a rigid 90-degree connection between the arm wand and the air-borne carriage) or gliding downhill toward the center of the LP because of dishing of the LP surface, a la the Souther.
High mass vs Low Mass Turntables - Sound difference?
As I am recently back playing with analog gear after some 15 years away, I thought I would ask the long time experts here about the two major camps of record players -- high vs low mass-loaded-type tables...
For example, an equivalently priced VPI table (say a Classic, Aries or Prime) versus a Rega RP8/10 or equivalent Funk Firm table... the design philosophies are so different ... one built like a tank, the other like a lightweight sports car...
Just wondering if the folks here have had direct experience with such or similar tables, and what have been your experiences and sense of strengths and weaknesses of these two different types of tables.
For example, an equivalently priced VPI table (say a Classic, Aries or Prime) versus a Rega RP8/10 or equivalent Funk Firm table... the design philosophies are so different ... one built like a tank, the other like a lightweight sports car...
Just wondering if the folks here have had direct experience with such or similar tables, and what have been your experiences and sense of strengths and weaknesses of these two different types of tables.
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- 95 posts total
- 95 posts total