How to choose an upgraded tonearm.

VPI pivot upgrade + Lyra w current phono preamp is as far as you need to go….

Mijostyn, I’m sorry I threw in that distracting reference to the VPI peripheral ring, What i would really like is to draw your attention to is the question of whether you think the Rega tonearm you recommended might be able fit on the existing VPI tonearm platform on my Classic 2. And if so would some modification to the platform be needed. If you wouldn’t mind revisiting that part of my previous post it would be appreciated. Thanks for your assistance,

Tablejockey, I’m wondering if that arm you suggest will fit on the VPI Classic 2’s tonearm platform. That’s my main issue right now. It seems VPI’s tonearm and platform are proprietary and you can’t stray much from their brand. Hopefully there are other aftermarket gimballed tonearms that might work on VPI tonearm base without major surgery.

If any of you know of any that meet those parameters that would be wonderful. Thanks.

Lewm, if you’re on my thread you will have to do what you’re told.

Mike

@skyscraper : " I do need to learn about tonearms first, as I really know little to nothing about them. It might be hard to believe, and my wife never could, how much I enjoy engaging in the analysis part of any search or project, When I haven’t the disposable cash to make a new purchase.."

 

"" I am still curious about what sonic differences an arm can make...""

 

""" At the outset the last thing I was considering was a tonearm upgrade. """

 

"""" Maybe the dual pivot will help wring enough out of the Kleos with my current tonearm to make this a minor issue. """"

 

I think that because of what you said you can’t really learn about tonearm/T/cartridge intrinsecal relationship through a thread through " paper ", you just can’t. The information everyone already posted here ( including mine. ) only makes that you continue to have more and more questions and dudes. Every additional post on the Kleos/tonearm/TT issue in this moment goes against you and your today system:

 

""""" Can’t wait for the Kleos to arrive in about three months or so. """""

 

The only " fast " way you have to learn is with first hand experiences with same cartridge mounted in different tonearms . You have time to look how you can have those first hand experiences. It’s not easy because the room/systems where you need to have those first hand experiences needs in some way familiar to you or at least that you " understand " those room/systems different signatures.

You have posts here that even gone to almost " stupid " advise for you as an external arm-pod when your needs are way different. Even you and certainly not me know for sure what you really need till the Kleos arrives .

 

Again, if you really want to " learn " ( as you said. ) the best for you as soon is posible is find out how to get those first hand experiences . I want that you know that you can’t be an " experienced " or even an average audiophile in that issue in 6 months when to many of us took " years " to learn about: YEARS not months. But even with all those first hand experiences you can’t really know how the Kleos will performs in your room/system and you will not know not only that but what the Kleos realy can shows you till in a different room/system than yours you can listen the Kleos quality level performance mounted in a good " rigth " room/system.

 

Unfortunatelly and as you accepted your really low know-how level impedes that you can assimilate our posts in the whole issue, you are not prepared to and it's not your fault.

 

R.

 

 

 

 

"I’m wondering if that arm you suggest will fit on the VPI Classic 2’s tonearm platform."

skyscraper- I would confirm with the VPI staff what your options are outside of the gimbal.

Contact the audimods to see if they do have customers with  such transplants. 

VPI gimbal is the best way to go. Keeps the table's integrity should you later to decide to get rid of it. Aftermarket arms you do find will require some hacking of the base to a degree.  It's now compromising resale value. Once molested, no going back.

As mentioned by a few, you're still good to go with the stock arm. If you didn't get the bug regarding its "absolute" technical shortcomings, you would be enjoying that great cart, thinking it's the best thing since sliced bread.

VPI dual pivot seems to get approval overall from users. It does look very low tech/crude-a simple clamp with a divot sliding on plastic film? That is not a "pivot"

I apologize for raining on the Mijostyn parade, but in this video, where the narrator is trying to demonstrate the importance of having the pivot located at the level of the LP surface (minutes 20-25 or so), he is really comparing the condition "headshell parallel to LP surface" to the condition "headshell raised at the rear".  The question is why is there an advantage to locating the pivot at the level of the LP surface for any given orientation of the headshell when viewed from the side.  Since most of the time we start out adjusting VTA such that the headshell is parallel to the LP surface, I take that as the norm. The video shows that raising the pivot at the rear such that the headshell is likewise raised at its rear will result in increased susceptibility to warp wow.  I have no problem with that, but that was not the question. I wouldn't ignore an otherwise excellent tonearm just because it may fail this one criterion.