Newbee -- I don't think you are missing the point, you are just making some additional points.
To re-state my basic point, room effects at mid and high frequencies are heard differently by microphones + sound level meters than by the human hearing mechanism. The human hearing mechanism tends to some degree to "latch on" to the leading edges of transient waveforms, and give them greater emphasis than what may follow a few milliseconds later. I think that is pretty well recognized. But a microphone + sound level meter monitoring a continuous frequency sweep, or a series of tones covering the different parts of the spectrum, will not do that -- the late arriving sounds at any given frequency will be taken into account, so to speak, simply based on their amplitude. Therefore, whatever the desired tilt of the fr may be, tuning the room or the system to provide it on the basis of that measurement technique will not give the desired result when listened to by a human.
Regards,
-- Al
To re-state my basic point, room effects at mid and high frequencies are heard differently by microphones + sound level meters than by the human hearing mechanism. The human hearing mechanism tends to some degree to "latch on" to the leading edges of transient waveforms, and give them greater emphasis than what may follow a few milliseconds later. I think that is pretty well recognized. But a microphone + sound level meter monitoring a continuous frequency sweep, or a series of tones covering the different parts of the spectrum, will not do that -- the late arriving sounds at any given frequency will be taken into account, so to speak, simply based on their amplitude. Therefore, whatever the desired tilt of the fr may be, tuning the room or the system to provide it on the basis of that measurement technique will not give the desired result when listened to by a human.
Regards,
-- Al