ICE amps vs analog amps for bass


I'm currently running Legacy Helix loudspeakers. The bass and subwoofers are being driven by two pair of 500 watt ICE amplifier modules while the Midrange and treble frequencies are being driven by two pair of Levinson 436 amplifiers. While originally auditioning the speakers I heard them with analog amps on the bass, treble, and midrange sections and the sound was superb. However, I was assured that the ICE amps would be sufficient to drive the bass sections so I've given them a try. However the bass sounds funny. I don't hear the impact, definition, and subtle "spatial cues" that I know are in the recordings.
I partially am blaming the ICE modules. I'd sure like some input in solving the problem. I can "upgrade" to "analog" amps for the bass if I choose, but for space reasons and economic reasons, would prefer to continue to use the ICE amps. I'm considering Parasound JC-1s, or Bryston 7bs, for the bass if I switch.
Thanks for your help in advance.
Steve
128x128sgr
Damping factor... I can also agree with the fact impedance matching can cause some havoc.

Interestingly everyone raves about High damping factor 1000, 2000 etc... But you can take a class A amp like a tube or solid state that has no more than 200 damping factor and 50 watts blows away the bass tone on Class D based amps.

Seems sometimes the super high damping amps choke the life out of the full flowing tone a good A-B or Class A amp is capable of... Most like to use the term "Tighter" bass from high power high damping amps, but in my experience its so tight you barely feel or hear it sometimes! So there are several factors to what will work with each speaker design and amp combo, there is no perfect all in one solution.

Mostly Class D is used in cheaper subwoofers because Ice modules are cheap, efficient with high power, high reliability, high damping, and run cool while beating the hell out of them. But they still do not have the tone of good "Analog" designs as you put it. However Class D does not stand for Digital, they are still analog chips from my understanding.

By the way the Legacy speakers tend to use PRO audio type drivers, and those big bass drivers on the Helix is probably made by JBL or Eminence etc... And are low excursion big coils, and very tight physically from movement. Get a lower damping amp, costs more for a good one like a Mcintosh or something and kinda a waste on bass only, but it works and brings back that full tone getting rid of the steril Class D sound. I highly suggest going local and borrowing a good old standard amp and see your results, then you will have the information you need moving forward to eliminate the Ice amps or not.

I have gone thru very similar trials, and found better big old fashioned hot running amps will give you the natural feel and tone your missing with Class D.

High damping factor vs. High musicality is highly overrated in my opinion!
Some amps I'm considering are the Brston 7B monos or the 14b stereo version with a damping factor of 300 at 20 hz or the Parasound JC-1s. The JC-1s have an over the top damping factor 1200 at 20hz. Any ideas wich ones might match up with my Levinson amps?
300 damping is excellent, you will fill the room with real tone and move some air for sure vs. what you have I believe.
As Guidocorona has already mentioned, it ultimately depends on how well it is implemented. I have a very special pair of Audio Magic Model 250 ICE-based amps and will NEVER let them go. Are they the "be all, end all" of amps...no...but I'm 100% sure that the budget it would take for me to replace them with something better is WAY out of my league.