Robdoorack is correct. Like him I've mounted cartridges on several Rega type arms, some using the Rega (single point) alignment and some using Baerwald (two point) alignment. Baerwald results in lower overall tracing distortion, but it cannot be used on a Rega mounted at the specified 223mm. With the arm that far from the spindle most styli won't reach the two Baerwald null points.
Moving the Rega closer, to 219-220mm, does the trick. Of course this requires a table that allows moving the arm mount. Child's play on a Teres/Galibier/Redpoint or Raul's Acoustic Solid. Not so easy if the table has a fixed armboard. In that case drilling out the headshell slots, as Rob mentioned, is certainly an option. I prefer a pivoting armboard myself!
Dazzdax,
I'd suggest you pay an extended visit to the FAQ's section at Vinyl Asylum. There are many good technical articles archived there. Well worth the time. (Some of them contradict others, which makes it more fun!)
The goal, as I mentioned before, is to position and align the cartridge to minimize tracing error. A pivoting arm can be set up using any of several valid alignment schemes. Each scheme requires a different spindle-to-pivot dimension, so there is no magic mounting dimension. That of course means there is no magic number for overhang either. Each of these interdependent variables changes depending on the alignment null point(s) you choose.
Overhang,
Where are you? Have you measured your tonearm's mounting distance yet.
Moving the Rega closer, to 219-220mm, does the trick. Of course this requires a table that allows moving the arm mount. Child's play on a Teres/Galibier/Redpoint or Raul's Acoustic Solid. Not so easy if the table has a fixed armboard. In that case drilling out the headshell slots, as Rob mentioned, is certainly an option. I prefer a pivoting armboard myself!
Dazzdax,
I'd suggest you pay an extended visit to the FAQ's section at Vinyl Asylum. There are many good technical articles archived there. Well worth the time. (Some of them contradict others, which makes it more fun!)
The goal, as I mentioned before, is to position and align the cartridge to minimize tracing error. A pivoting arm can be set up using any of several valid alignment schemes. Each scheme requires a different spindle-to-pivot dimension, so there is no magic mounting dimension. That of course means there is no magic number for overhang either. Each of these interdependent variables changes depending on the alignment null point(s) you choose.
Overhang,
Where are you? Have you measured your tonearm's mounting distance yet.