In my younger more fanatical days, when I was borderline addicted to the odor of burning solder flux 😜, I did all that teo_audio described.....three different times with three different tone arm wires. Totally worth it! However, a PITA. In fairness, not nearly as difficult to do with an ET2 than with pivoting arms. I know audiophiles are often accused of using hyperbole, but the sonic improvements gained by the elimination of multiple solder joints, plugs and dissimilar cables in the signal path were not only very significant, but also different in nature compared to improvements gained by actual upgrades of gear. The purity of sound one gains by smoothing out the “bumps is the road” caused by cabling (not just in tone arms) is wonderful. At one point I had my system ENTIRELY hard wired with not a single plug or jack in sight except at the ends of power cables. I ruined a phono cartridge doing this and will never do THAT again; those days are over.
Is a captured good tonearm cable better than a high quality one DIN connection?
I am making a big leap into a $6K Triplaner tonearm that comes with a nice silver captured cable.
I was happy that I was able to eliminate my $4K tonearm cable and would have a direct connection.
But wonder if I should keep using my great tonearm cable with a DIN connection instead. My system is highly resolving and, as we all, want the best sound possible.
I was happy that I was able to eliminate my $4K tonearm cable and would have a direct connection.
But wonder if I should keep using my great tonearm cable with a DIN connection instead. My system is highly resolving and, as we all, want the best sound possible.
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- 23 posts total
- 23 posts total