Is computer audio a bust?


In recent months, I have had several audio acquaintances return to CDPs claiming improved SQ versus their highly optimized computer transports (SS drives, external power supplies, etc, etc).

I wanted to poll people on their experiences with computer "transports." What variables have had the most impact on sonics? If you bailed on computers, why?

I personally have always believed that the transport, whether its a plastic disc spinner or computer, is as or more important than the dac itself and thus considerable thought and energy is required.

agear
07-22-14: Jbny The whole not doing Computer Audio is really just a generational thing, like it or not it is the future.

Ouch. Sadly, there is some truth to that.

07-22-14: Jbny I have pretty good analog setup and am very capable of making good hires vinyl transfers. The vinyl rips sound identical to the analog on my setup so I know that the CA is working right in my system.
John Atkinson, when reviewing the Ayre QB-9 also noted digital transfers and the native vinyl indistinguishable. That being said, I still find top drawer vinyl (and master tape) to have a fluidity and density that is missing in all the digital I have heard.
you should remove your Dac as well, it's not part of computer audio!, you are running half computer audio, I already stated that cd-players, Dacs, transports are all in the same family to me.
Interesting article Nonoise. It reads a little like a quantum physics paperback book: part science and part philosophy, and thus the "facts" are open to interpretation. The Boston audio society study appears condemning at first blush (60 people subjected to a total of 554 blinded tests over the course of a year were not able to distinguish between CD and SACD). However, if you read the primary article found here:
http://mixonline.com/recording/mixing/audio_emperors_new_sampling//index.html

the author does bring up some more nuanced points towards the end, including this:
Moorer noted that humans can distinguish time delays — when they involve the difference between their two ears — of 15 microseconds or less. Do the math, and you can see that while the sampling interval at 48 kHz is longer than 15 µs, the sampling interval at 96 kHz is shorter. Therefore, he says, we prefer higher sampling rates because “probably [my emphasis] some kind of time-domain resolution between the left- and right-ear signals is more accurately preserved at 96 kHz.”

and

In an article on his Website (www.ethanwiner.com), Winer points out that in a typical room, moving one's head or listening position as little as four inches can result in huge changes in the frequency-response curves one is hearing. What could be a 10dB dip in one spot at one frequency could be a 6dB boost a couple of inches away. These wide variations are caused primarily by comb-filtering effects from the speakers and from the various reflections bouncing around the room, which are present no matter how well the room is acoustically treated. Winer blames this phenomenon for most of the unquantifiable differences people report hearing when they are testing high-end gear.

In particular, the time domain issue may explain "some" people's preferences for hi rez and DSD. I know this is a real phenomenon in the world of speakers and even amplifiers if you believe Golmund's research.
07-22-14: Audiolabyrinth
Joecasey, There is some world class transports out there that computer audio cannot touch period,
Why? How did you derive to this conclusion? Price? LOLs?

if computer audio could, then this is the biggest fleasing in american history of audio!, look at DCS for an example, LOL!,
Degree of "fleasing" is tied to one's level of obsession to this crazy hobby.

IMO, you got FLEASED spending $15,950.00 retail for the balanced 1-meter interconnect.

Performance has nothing to do with price of a component. Price is dictated by markets. This is a cottage industry so demand is low and price will be high in order for companies to stay in business. IMO, DCS and Esoteric understand demographics of their customers so why release computer base products and jeapolized their tradition line.

to get this straight here, I am saying transports, Dacs, cd-players are all in the same catorgory, that is NOT computer audio, though I agree, cd-players,dacs, transports are computers, no doubt, however, they are dedicated to audio!
That's the definition of embedded system but still a computer. Like I said earlier, the debate boils down to storage medium. CD, hdd, sdd, usb drive ...

From Lamp Web Site:


Once again - how can a "stupid" computer modem sound better than reputable real CD transport ? Computers are supposed to be BAD.
I will try to explain how I see it:

Just imagine: It thakes 70 minutes for the Philips CDM2-Pro mechanism to read all data from CD disk. The same amount of data is read by DVD drive in 2 minutes. Blue Ray reads it in half minute. Hard drive reads it in 4 seconds. RAM buffer reads it in less than a second. MY LampizatOr Transport plays from own FIFO RAM Buffer.

The Data from CD must be read by a laser, which constantly needs to adjust focus, servo adjusts linear speed of motor, and track tracking. The data is demodulated from laser waves, and missing bits or errors are interpolated and corrected. Vibrations make reading difficult.

The HDD Lampizator Transport player needs nothing of that. Perfect, 100% accurate data is fed to RAM buffer and just (FIFO) - sent out to DAC according to external precision clock.
This scenario is 100 x more simple, errofr free and accurate. I am surprized that CD players play anything at all ;-)
These are benchmarks, not subjective #, not system dependent ... If starting from scratch, which storage medium would you choose?

The whole not doing Computer Audio is really just a generational thing, like it or not it is the future.
Agree! My attorney, an intelligent elderly gentleman, doesn't understand or trust computers so still uses hard currency. I grew up with technology and can't wait for the next great thing to improve quality of life.

To digress, I configured JRiver to cache the entire file into memory, up to a gigabyte at a time, which mitigates the "spinning media" issues, or at least moves them to a error-free source.
Bingo! Cache is agnostic with storage medium as long as read in before play.

They actually have marketing/development groups dedicated to developing apps and uses that require more powerful CPU's, more memory etc.. in order to get you to upgrade your PC.
IMO, one major reason for increase foot print is due to managed code such as Java and .NET. It's a pig and slow. C or C++ is still use if fast and lightweight are priorities but need competent engineers to develop them.

I suggest when shopping for a new computer, get the maximum of RAM. I bought a laptop for one of my consultant gig years ago and has 2GB of RAM. CPU is fine but not enough to RAM to run some applications that requires 4+ GB.
Nice link Agear. There seems to be a lot going on that we simply don't take into account. I, for one, am not keen on putting my head in a vise in order to eliminate the comb effect from moving my head around :-)

What I also found interesting is the section devoted to the extra care and TLC engineers go to to make a SACD or DVD-A or DSD recording since it's more a labor of love and the end product is meant for a more discerning audience.

Could it be that labels like ECM, MA Recordings, and Mapleshade, who "just" make CDs, put that extra TLC into their product, resulting in a CD that sounds better than other CDs and almost as good as high rez?

The whole thing about eliminating time domain errors is one of the driving themes behind the EC Designs SD card reader, which they say is of more importance than sampling and playback rates, which is why they linked the articles I linked to in my earlier post. If those time domain errors can be lessened to the point that makes them negligible to human hearing, then moving one's head around won't be a factor anymore.

I'm quite keen on reading some reviews when they come out.

All the best,
Nonoise