Sony's problem is not that they are greedy, it is that they are tactically stupid. The beauty of capitalism, done right, is that it is a win-win proposition. The company, its employees, its stockholders, and its customers all benefit. So much for the economic viewpoints of Brownsfan.
I received the CD corollary of the native DSD Appalachian Journey album, and uploaded wav, ALAC, AIFF, and MP3 files of the Cloverfoot Reel track (redbook) for comparison with the native DSD file supplied with the HAPZ1. As I expected, the native DSD file was better (across the board) than the redbook CD files uploaded in the 4 formats, then converted on the fly to 2x DSD by the Sony. But--- the difference was not profound. There was more sweetness in the violin, more edge in Ma's cello, better depth in the double bass, but it was not an overwhelming difference. I've heard far more difference from redbook cd to redbook cd. I paid $7 for the CD shipped, vs $25 for the DSD download.
Now, if I didn't have a machine that converted to DSD on the fly, what would the difference be, and would it warrant 3.5 x the cost of a CD? Tomorrow, I will compare the 4 transferred files with the DSD engine turned off, and see what that reveals.
Sony music is again not paying careful attention to what the Sony ES division is doing. Come on, guys, we are not idiots. Release your native DSD files, make a couple bucks over what you make on CDs, and we will all be happy. I'm pretty sure you will net more based on volume than what you are doing now. Forget trying to save your ancient treasures and focus on your current offerings, some of which are excellent.
Or, you can kill one more strategic initiative that deserves to succeed with a business plan that won't fly.
Just glad the ES guys have their act together.
I received the CD corollary of the native DSD Appalachian Journey album, and uploaded wav, ALAC, AIFF, and MP3 files of the Cloverfoot Reel track (redbook) for comparison with the native DSD file supplied with the HAPZ1. As I expected, the native DSD file was better (across the board) than the redbook CD files uploaded in the 4 formats, then converted on the fly to 2x DSD by the Sony. But--- the difference was not profound. There was more sweetness in the violin, more edge in Ma's cello, better depth in the double bass, but it was not an overwhelming difference. I've heard far more difference from redbook cd to redbook cd. I paid $7 for the CD shipped, vs $25 for the DSD download.
Now, if I didn't have a machine that converted to DSD on the fly, what would the difference be, and would it warrant 3.5 x the cost of a CD? Tomorrow, I will compare the 4 transferred files with the DSD engine turned off, and see what that reveals.
Sony music is again not paying careful attention to what the Sony ES division is doing. Come on, guys, we are not idiots. Release your native DSD files, make a couple bucks over what you make on CDs, and we will all be happy. I'm pretty sure you will net more based on volume than what you are doing now. Forget trying to save your ancient treasures and focus on your current offerings, some of which are excellent.
Or, you can kill one more strategic initiative that deserves to succeed with a business plan that won't fly.
Just glad the ES guys have their act together.