Is DSD download already an extinct format?


I recently purchased a Benchmark DAC 2 which supports DSD decoding following an article from Robert Hartley indicating that Sony would release all of its music catalog in DSD download format. As of today, there are only 358 DSD downloads available from Acoustic Sounds. On average the DSD downloads is music that is 30-45 years old...you know the same stuff you already own in CD, DVD-audio, SACD. Just getting tired of purchasing Getz/Gilberto in all formats.

Record companies, please give us the new music in Hi-rez format rigth off the bat and stop giving us the better resolution years later!
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Sony is coming off a colossal failure in terms of mainstream acceptance...SACD...even when they attempted a hybrid CD layer...point being...Sony will probably drag its feet in terms of hi rez again....the real market is the non dsd Downloads...most non audiophiles are happy with "a" download...and I don't see the advantage...of Quad DSD if that is the case...that seems like an odd choice...but Sony does some odd decisions
Phasecorrect, There is a good deal of interest in native DSD especially at the pro level and in doing recording. I have listened to 192/24 PCM versus double DSD of the same material using SACDs as the source and double DSD wins hands down.

SONY does have a poor record but also owns 40% of master tapes. If they make their quad DSD at a good price and somehow distribute it, I think they will be an audiophile's friend.
TBG, I agree with your take. I'm sold on native DSD being better than PCM, and I am confident there is a large latent market waiting for the software to be released at a reasonable price. I am just afraid that there is a narrow window for capitalizing on that latent market, and I fear, with good reason, Sony is once again poised to snatch defeat from the jaws of victory. I'm a Cleveland Browns fan, so I am an expert in reading the signs!

Equipment like the new PS Audio DSD DAC and Sony's own HAPZ1, not to mention other similar devices, may make the difference in downloaded native DSD and DSD converted on the fly too small to justify buying the native DSD at a premium. Based on my listening with my ModWright Sony HAPZ1, I just don't see the price differential being worth it.

If my assessment of the difference between the DSD master of Ma's Appalachian Journey is typical, the DSD master is like 1.03 compared to 1.0 for the AIFF redbook up sampled to 2 x DSD by the MW Sony. The DSD is $25, the redbook CD was $7.00 shipped. I have a large budget for new music, but it is a budget, and I can buy a lot more music, with a very small sonic compromise. They are going to have to offer more music at a better price and do so quickly, or people are going to move on.
" I'm sold on native DSD being better than PCM"

Why is that again? Is there a concrete technical reason or reasons? I would think a quality implementation of each playing same resolution source material would be more alike than different.

What would be the technical reason for better apples/apples sound quality? THen how much is there really in practice and is there good value there or just another new technology and format to sell stuff with.

Thanks.