Mapman, you ask good questions and provide good counterarguments. DSD is not universally better than PCM in the sense that all DSD recordings are better than PCM recordings.
As for the technical reasons, I'm just a simple organic chemist, not an ee, computer scientist, or physicist. I'm smart enough to leave such discussions to those who know what they are talking about. I'd rather take an empirical approach here, allowing my ears and emotional response to music to trump technical considerations, although I don't want anyone selling me snake oil, either.
I have a limited sampling--one, which is somewhat short of being statistically significant. I'd like to have more samples, but I'm not going to blow my entire estate at $25 each to run the experiment.
My fascination with DSD is based on what I hear from people I trust, who are in a better position to make statistically significant judgments. Also, I have a general preference for the sound of cds that were produced from DSD masters. It's by no means a universal preference, but I don't have many bad recordings in my collection that were recorded in DSD, while I have more than a few bad recordings that came from PCM masters. In all fairness, I have a wall full of wonderful PCM master derived CDs. That observation is proof of nothing, but it is enough to keep me interested in native DSD files.
If Sony lets us down here (again), it is not the end of the world. As you have pointed out, PCM properly implemented can be extremely good. All I'm asking here is that Sony implement a marketing strategy that allows the musical cognoscenti an opportunity to determine the real value of hi rez in general, and DSD in particular.
As for the technical reasons, I'm just a simple organic chemist, not an ee, computer scientist, or physicist. I'm smart enough to leave such discussions to those who know what they are talking about. I'd rather take an empirical approach here, allowing my ears and emotional response to music to trump technical considerations, although I don't want anyone selling me snake oil, either.
I have a limited sampling--one, which is somewhat short of being statistically significant. I'd like to have more samples, but I'm not going to blow my entire estate at $25 each to run the experiment.
My fascination with DSD is based on what I hear from people I trust, who are in a better position to make statistically significant judgments. Also, I have a general preference for the sound of cds that were produced from DSD masters. It's by no means a universal preference, but I don't have many bad recordings in my collection that were recorded in DSD, while I have more than a few bad recordings that came from PCM masters. In all fairness, I have a wall full of wonderful PCM master derived CDs. That observation is proof of nothing, but it is enough to keep me interested in native DSD files.
If Sony lets us down here (again), it is not the end of the world. As you have pointed out, PCM properly implemented can be extremely good. All I'm asking here is that Sony implement a marketing strategy that allows the musical cognoscenti an opportunity to determine the real value of hi rez in general, and DSD in particular.