Vinyl is not dead, but I hope that one day soon it is put out of its misery. Dragging a small rock with a wire attached to it through a concoction of semi-solid oil and then amplifying the resulting electrical signal by a factor of 2000x is a primitive system worthy of a Rube Goldberg award. It's nearly as bad an engineering design as the 4 stroke internal combustion engine (the piston comes to a dead stop TWICE each power phase). Vinyl should not be declare totally dead until engineers and designers have exhausted all practical, and even some unpractical, refinements in vinyl mastering and turntable/tonearm/cartridge design. I don't think we are at that endpoint, yet. However, it's clear to me that any significant future advances (as opposed to refinements) in sound reproduction will be in the high sample rate digital arena.
Regarding the concept of death in general, check out the Showtime series "Dead Like Me". It's interesting to say the least. Also, as John Garfield so accurately stated way back in a 1947 film: Everybody dies! What's so special about vinyl that it's supposed to live forever.
Regarding the concept of death in general, check out the Showtime series "Dead Like Me". It's interesting to say the least. Also, as John Garfield so accurately stated way back in a 1947 film: Everybody dies! What's so special about vinyl that it's supposed to live forever.