I have bought alot of Japanese Vinyl with mixed results. The benefit is that the vinyl itself is better, lower noise floor, pressing quality is high. But the rest depends on the master tape, is it 2nd generation, mastering process, amps, etc. If you are talking about Jazz, almost all the 1950's/60's Verve or blue notes sound pretty good and an improvement to me (case in point Stan Getz). Classical I couldn't tell you, Pop/rock: sometimes better, sometimes less soundstage/"air" spacial detail and more inner groove distortion. Example (don't laugh if you hate Yes): the Yes recordings "Fragile", "Relayer", "Going for the One" all sound worse in regards to above on Japanese Vinyl; all sound best on original 1st pressings from U.K. But I would say the Jap. pressings are perhaps better than U.S. The above is true for almost all U.K. progressive/art rock bands: Camel, King Crimson, ELP, etc.
Japanese Vinyl?
I've picked a couple of Japanese imports over the last few weeks. A couple of the reissues are really spectacular pressings of old recordings. One is a Contemporary reissued on Nippon Columbia and the other is a Savoy reissued on King.
On the other hand I picked up an original Toshiba which, while very spacious, has some distortion on the louder passages that kills it.
Which of the Japanese labels are more consistent with their quality? I've seen King/Blue Notes going pretty high on e-bay. Any advise on what I should be looking for? Also, and good sources stateside? Shipping from Tokyo is a bit pricey.
On the other hand I picked up an original Toshiba which, while very spacious, has some distortion on the louder passages that kills it.
Which of the Japanese labels are more consistent with their quality? I've seen King/Blue Notes going pretty high on e-bay. Any advise on what I should be looking for? Also, and good sources stateside? Shipping from Tokyo is a bit pricey.
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- 14 posts total
- 14 posts total