Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Jon Herrington, check, CTI, check!  CTI tried to make a comeback in the early 90's releasing an interesting group of recordings.  Unfortunately, the effort failed fairly quickly.  One of the 1st was Chroma - Music On The Edge - taken from a live 1990 performance in Japan featuring an all-star line-up.  The band was made more interesting by the fact that they went the ol'skool R&R route by opting for two lead gtrs, Mike Stern & Jon Herrington!  CTI had a certain style of over-produced product that became their 'signature' sound.  This sounds nothing like that!  But anyone who's listened to CTI also knows they released a number of killa Fusion recordings.  Fusion's always has had it's detractors, here and elsewhere but I'll always fly my F flag high!;)  Unfortunately, this particular cut doesn't feature the horn section, that was on fire that night, Randy Brecker (tpt) and the late, great Bob Berg (sax).  Oh yeah, this ain't yo daddy's Jazz, so if you give it a listen, don't forget to turn it up!!;)  

https://youtu.be/0Ba1PqlbcbI

I know this isn't the type of music usually discussed on this thread, it's cool to see the diversity of the genre manifesting itself every once in a while.  I'm sure yr regularly scheduled programming will be back in due course!;)
****Not sure why one would ever be inclined to hate****(Fagen)

Alex, I have been a fan of Steely Dan since college days forty (!) years ago and still have all their lp’s. I am more mixed about Fagen’s solo efforts which go even further into that slick, "urban-hip" sensibility and, as such, I have always had a love-hate relationship with his solo efforts. Notice I said that "sometimes" I hate "Sunken Condos" it is like my feeling about "The Nightfly". Sometimes I think that "The Nightfly" is a masterpiece. "Kamakiriad" leaves me absolutely cold. This is not the first time that I been asked why I feel this way and the best way I can describe why I feel this way is found in an article about an interview with Fagen that I saved a while back. The author does a fantastic job of putting into words Fagen’s personality and demeanor.

From the interview:

"When he speaks, he seems so contemptuous at his need to communicate to the outside world "

What he describes is precisely the feeling that some of his music projects for me in spite of its many excellent qualities. This is an interesting example of the subjective/objective dilemma. From an objective standpoint it is, within that genre, compositionally great, the production values are state of the art and the playing is fantastic and "perfect". Subjectively, I am not always in the mood for
its personality. Interesting reading for SD fans:

http://www.tabletmag.com/jewish-arts-and-culture/music/114035/shanah-tova-from-donald-fagen

"Aja"’s title cut features the great Wayne Shorter on tenor saxophone. In 1985 Shorter released "Atlantis",  what I think is, after Herbie Hancock’s "Headhunters", my favorite fusion recording. Very interesting compositions with a compositional depth not always found in the genre and great playing:

https://m.youtube.com/watch?v=z3qXILIfPuw

https://m.youtube.com/watch?v=uyhXnCN5Tic

https://m.youtube.com/watch?v=bYjfHviuOGM


Hello Frogman - I did realize for whom your comments were intended. Appreciate you taking the time to explain. I asked strictly out of curiosity. Fagen is a case study in "supercilious" - though that hasn’t diminished my own enjoyment of his music. To my mind, that attitude has been something of a Steely Dan trademark, so not limited to Fagen alone.  I do appreciate how an emotional response to the artist (or lack thereof) independent of any artistic-merit considerations can affect "receptivity". I encourage your view of The Nightfly as a "masterpiece", however. FWIW - Michael Jackson would be good corollary in my own little universe. Thanks for the tip on Wayne Shorter’s "Atlantis". I note we are contemporaries given college being some 40 years in the past.

To Rok - I doubt "fusion" is free at Madame Dupree’s.