Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
frogman
although I agree with supertweak that "Mysterious Traveler is creatively unique I really prefer the 1st three albums by Weather Report.  Although I may agree the tunes on MT had more structure I like the extended pieces on the earlier albums which breathe with more open space and emphasis on the  individual players and their interactions . My feeling is that as Zawinul became more prominent this element was lost. And also Shorters contributions seemed to fade with Zawinul's ascendancy.  I don't listen to "Heavy Weather " anymore. That was the album that. introduced me to the group but I feel my tastes have changed over time.
       As far as W Shorter in concerned I think he is under appreciated as a composer and saxophone player. Although he came up in the bebop era he forged a playing style so unique in the 60's with M Davis group. His probing never rushed solos which took advantage of space were unlike anyone at the time. It fit well with Davis who also used less  notes and used space within his solso to create a mood.
      And Idon't think Shorter gets enough credit for the compositions he wrote for Miles 60's group. I can't say enough abput this group and their move away from bebop which had dominated for almost 20 years. I am going back to that group to relisten to their output to gain new insights into the high level of  musicianship they created.
http://m.youtube.com/watch?v=qeJ9NEyxk8I 
http://m.youtube.com/watch?v=xUC8NuiuXcs

http://m.youtube.com/watch?v=gZOoepKkpeI 

Great WR clips, acman and pryso; thanks. Really good to revisit this group’s records after a surprisingly long time (for me) not spinning them. As I pointed out before, while I have always enjoyed their records they were never favorites and I am finding that my reaction to them is even more positive now.

Good post, nsp; and good observations re WR. I would only add that while Wayne Shorter does seem to take more of a back seat to Zawinal beginning with Mysterious Traveller, my hunch is that there is more “Wayne Shorter” in the post-MT mix than may seem obvious. For me one of the most insteresting things about Shorter’s career is how his playing became more and more economical as time passed; as if he were on a mission to say the most with the least number of notes. As you point out he used space in his solos very well; one single well placed and shaped note from him can be so expressive and say so much. Consummate artist that he is, I suspect that taking more of back seat to Zawinal was itself an artistic statement on his part and not the result of any “political” issue.

Miles with Wayne: my favorite jazz band of all time. Amazing Quintet with an amazing amount of musical synergy. For me, it just doesn’t get “better” than this as concerns level of musical interaction and intuition in jazz regardless of style. Tony Williams!!!

One of Shorter’s more unique recordings:

https://m.youtube.com/watch?v=VFPIB4rFPIA

https://m.youtube.com/watch?v=fijliIceqJ4

https://m.youtube.com/watch?v=8DTTx_hb_Gs