Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
A lot of recordings came out much later than recorded due to over saturation. Blue Note released a lot of Albums much later than recorded.

I remember when I would purchase every Wynton Marsalis recording as they came out. From 1989 - 1992 Wynton put out 15 recordings. Bought a few during, but much less after that.
First, Happy Father’s Day to any jazz loving Dads out there!

pryso, sometimes we forget that great artists are people too just like all of us and are subject to forgetfulness and other similar issues just as we all are.  I would be willing to bet that this “lost” Trane recording is not the only one out there that has been forgotten about.  Musicians would often (and still do) go into the studio and lay down tracks that would eventually find their way onto record releases without prior concrete plans to do so; or would go into the studio to rehearse and the engineer would simply roll the tape.  No big money to be sure, but those guys were very busy; not just recording, but with tours and other live performances.  The truth is that most (not all) jazz artists were notorious for being disorganized with their business dealings.  Re my comments re the record label:

Impulse was a relatively small record label with very limited resources.  The more records they released, the more that their limited resources were taxed and the more likely that a tape might be lost.  Much more unlikely that, as with a label like Columbia, would they have an archivist on staff.  So....

You may find this of interest:

http://www.billholland.net/words/Labels%20Strive%20to%20Rectify%20Past%20Archival%20Problems.pdf

I mentioned orpheus10  in a 5/23 post . Hope he is  doing okay. Have not heard from him since 5/11