Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Great clips. Navarro was definitely one of the all time greats. Except for Dizzy’s high chops, probably an even better trumpet player from an instrumentalist point of view. Dizzy’s equal, but ultimately not, as far as overall influence (died too young).

The Kenny Clarke (1946) clip is particularly interesting from a historical point of view. It shows players who were transitioning from Swing to Bebop. The solos, with one notable exception, and even the tune itself show experimentation with what would become “bebopisms”; stretching of harmony and interesting little melodic twists. Only one player, Sonny Stitt, sounds fully ensconced in the language of Bebop. Good stuff.
frogman,
I have listened to John Coltrane’s version of Giant Steps many times over the years. But a month or two between listens.

I plan on listening to it repeatedly through my headphones over and over until I "get it". Then I will compare other players improvisations over the melody. I think this is the best way for me to learn the "Mystery of soloing to Giant Steps"

What did you think of the duo playing organ and drums. Did you think they played the melody and rythm of Giant Steps adequately?


On Coltrane’s studio recording the final release had Tommy Flanagan on piano on all songs except "Naima" in which Wynton Kelly played piano.

Art Taylor played drums on all the songs except "Naima" as well. Jimmy Cobb played drums on that song.

Lex Humphries and Cedar Walton played drums and piano, respectively, on "alternate versions" of 2 songs - Giant Steps and Naima.

Paul Chambers played bass on everything that was put down on wax including alternate versions.

What do you think were the factors for replacing Flanagan and Taylor for just the one song Naima?

If you have the time check out this video:

https://www.youtube.com/watch?v=qCJh-7BVkRc

Do not skip the nearly 5 minute advertisement which is interesting and would suggest that James Carter, while technically brilliant, has not trained his "mental state" adequately enough. 

16 measures ?, 3 tonal centers?..... G major 7, chord structure upper minor 3rd - down a 5th? I leaned a lot and now I know why the song is titled "Giant Steps"

Another thing, which you may already know, Trane used to go to Thelonious Monk's apartment daily and sit for hours on end practicing with him. Do you think this helped him with all the compositions he wrote with "melodic shifts" ?
frogmanI have to agree with your assessment of "Giant Steps".  I listen to the first cut with Tenors Brecker and Mintzer  and it's obvious their technical facilities are  being used more than Carter. I liked Mintzer's version better then brecker's. I like the fact they adhere to the changes of the song and you can hear them going through them when they play. I think for James Carter he has carved a style of his own when playing that is very demonstrative, exciting and different than anyone else. Of course this is an important element for anyone's development. Sometimes I find James veers off into for lack of a better term an R&B Style. But he is never less than interesting exciting and I think he has incorporated previous styles of jazz into to his own personal statement. Maybe James is abandoning some or all of the to Giant Steps to make a different statement. But then it's not Giant Steps is it?

I thoroughly enjoyed each "Fats Navarrow" clip; no doubt about it, he's tops in bop.

Trumpet is the only instrument where I have an over all favorite, he's Lee Morgan; as well as I like many other trumpet players, he's my all around favorite.


        https://www.youtube.com/watch?v=1EjBJvYIj5Q


There's a personal story that goes with this song;


      https://www.youtube.com/watch?v=Zs0lrudahsU


Although it was a long time ago, I still cry when I hear this song. (almost anyway)

Every city is just a bunch of small towns, and everybody knows everybody else's business.  They knew I was still in love with her when she walked through the door looking ever so fantastic, and not sitting at the stool next to mine. What really got me though was why did they look at me instead of her; they even played this song;


        https://www.youtube.com/watch?v=LPQnIMjOL14