Great clips. Navarro was definitely one of the all time greats. Except for Dizzy’s high chops, probably an even better trumpet player from an instrumentalist point of view. Dizzy’s equal, but ultimately not, as far as overall influence (died too young).
The Kenny Clarke (1946) clip is particularly interesting from a historical point of view. It shows players who were transitioning from Swing to Bebop. The solos, with one notable exception, and even the tune itself show experimentation with what would become “bebopisms”; stretching of harmony and interesting little melodic twists. Only one player, Sonny Stitt, sounds fully ensconced in the language of Bebop. Good stuff.
The Kenny Clarke (1946) clip is particularly interesting from a historical point of view. It shows players who were transitioning from Swing to Bebop. The solos, with one notable exception, and even the tune itself show experimentation with what would become “bebopisms”; stretching of harmony and interesting little melodic twists. Only one player, Sonny Stitt, sounds fully ensconced in the language of Bebop. Good stuff.