klipsch speakers,be honest

Sean, you are referring to the K-horns I suppose? I'd be interested in any refs you have regarding these moifications... Cheers

I was refering to La Scala's primarily, but the comments apply to any of the "vintage" series Klipsch units in one way, shape or form. Obviously, the smaller non-horn woofer designed Heresy's and Cornwall's would have to be handled differently, but they too can be drastically improved.

All of my detailed Klipsch notes were lost in a computer crash. If you've got specific questions, i can remember quite a bit of it in my head. Drop me an email and i'll do what i can to "reproduce the data" : ) Sean
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I can confirm first-hand just about all the points that Sean makes regarding the vintage Klipsch. My LaScala's have improved significantly with modifications Sean mentions. The only thing I have not done is rebuild the bass cabinet, and that is the only area I feel the speakers are currently lacking (bass currently takes a nose dive at 50hz). Here's my take on the improvements I've done:

Internal wiring harness: Replaced with DH Labs silver wires - a noticeable difference in clarity and detail. The stock harness is simple 16 ga. copper wires.

Swapped out the stock tweeter with Fane 5020 - this made a HUGE difference in the upper register bringing out details I'd never heard on these speakers before, making the entire range sounded more coherent, and musical. These tweeters required padding down as their 110db sensitivity is too hot as-is. Of the modifications I've done, this one certainly made the most significant difference to me.

Replaced stock AA crossover with ALK's crossover. Here's where I'd take some exception to this as a 'rule' for guaranteed improvement. In my much smaller listening room at home I preferred the 'softer' and more dimensional sound of the stock AA crossovers. Though the ALK's exhibited more clarity and focus, and were imediately recognizable as an audible difference, I still liked the AA's better in this space. I tried all different settings with the ALK's and swapped back and forth for many days and sessions. I ended up sticking with the AA's as they just sounded more dimensional and natural to me. It reminded me of the difference between a 'tubey' sound and an SS sound, the later being the ALK. Later I moved my LaScala's to a much larger listening room (my work space) where they had room to breath. Here in this space the ALK's won hands down delivering both laser focus, clarity and the width and breadth of soundstage they seemed not to in the smaller space. I think perhaps there was some element of 'fatigue' in the smaller space that just doesn't occur in the larger one with the ALK's. The soundstage seemed to equal that of the AA's in the larger space, whereas in the smaller space the AA's seemed to provide a wider and deeper stage. I'll leave that one to Sean to try to explain as I was baffled.

I have no doubt the bass could be improved as well, and the cabinet is merely adequate in construction (as far as speaker cabinets are concerned) and stands for much improvement in reinforcement to assist in this realm.

Still, the clarity, the transparency and the speed of these speakers in my system, to my ears, has kept me spoiled in a sense as everything else I listen to falls short somehow. Granted, this is only a personal preference, and I certainly have not heard all there is to hear.

Anyway, good advice by Sean!

Marco

Jax,
We traded a few posts & emails a month or two ago as I was trying to improve the sound of my Chorus I's. Since then the SS equipment is gone and replaced with all tube from the CDP through power. Tubes made a BIG improvement in the sound of the Chorus speakers, but I still suffered from listening fatigue. Like you, I think it has a lot to do with the relatively small room (13.5 x 18 x 8). For the time being I've jumped into a nice pair of Snell's that are very easy to listen to, sound great, and quite different from the Klipsch Chorus. But...I haven't given up on the Chorus I's yet.

Sean/Jax,

Any specific suggestions to improve the Chorus I's? For the time being they are out of my system & available for some surgery. I have no plans to get rid of them in the foreseeable future as they would probably be a good option to try out with a SET system of some sort. It sounds like they might be ripe for some tweaking...

Hey Fishboat - The closest experience I have with the Chorus speakers is with their smaler cousins, the Fortes. These speakers use the Tractrix horns and forward firing bass drivers, so are quite different from my LaScalas. I did enjoy the Fortes as great speakers for rockin' out. In a smaller room I wonder if the Chorus aren't giving you problems with bass-loading the room? They do put out a significant low end if they are anything like the Fortes. You may try fiddling with speaker position and room treatments to address that. Doesn't have to be proprietary treatments, you can use things like curtains, rugs and plants to help. The 'fatigue' I mentioned only happened with the ALK crossovers in a smaller room and had more to do with the mids and highs than the bass. Your Chorus speakers produced significantly lower bass than my Scalas do. As far as 'surgery' on the speakers themselves, without any direct experience I'd be at a loss to give you specific advice. From experience with many other Klipsch products of that era and earlier I'd guess swapping out the wiring harness with better wires and reinforcing the cabinets would be at the top of my list of where to start. But honestly I'd try addressing the room first if listening fatigue is the problem. As you know, I certainly do prefer tubes to SS with the vintage Klipsch products so I'm not at all surprised that step was, as you say, a significant improvement.

Marco