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Let go of the music

When auditioning box speakers I find myself paying attention to how the speakers release the music. Every cabinet has a point where the music flows. The point right before that is sometimes vibration, as in a box, like a guitar, or my favorite lately flow from a very inert cabinet, like a solid monitor. I’m enjoying the imaging and presentation of this inert approach in pinpoint imaging, but have come to appreciate them all.Can anyone expand this position on cabinet design that in essence forms the image, or wall of sound? I know the room and electronics cables etc play a role but the speaker is the strongest factor in sound reproduction. I don’t care if you think one is right or wrong so no need to take over my living room. Boxless crowd welcome. 
bjesien
sounds_real_audio
996 posts
 
" Releasing " the music is a factor of the speaker design. Two properties come to mind. The easy one in my mind is " a large and complex crossover " in a speaker eliminate that possibility. Crossovers do not add music they subtract. 
bjesien OP
1,279 posts
 
@sounds_real_audio I think we are on the same page.  I must say the word "releasing" might not be the best term, but it is what happens directly before the image is created. Broadcasting can be another word, but in my mind would include the box resonance in this case. I realize this might be getting caught up in semantics, and all boxes have resonance, but for me it can hold value in determining the presentation of different kinds of speakers.  

  
sounds_real_audio
996 posts
 
It is difficult to describe in words...I thought to suggest the speaker might sound " fast " but I have heard that term to describe speakers that were muted and veiled. I think it is the ability of the speaker designed to sound organic and one that makes the music accessible. 
I am no longer in business but in 2005 ( I believe it was ) I had a room at the RMAF. Those were some of the words that reviewers used to describe our sound. 
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