LAST UPDATE about all my 18 HELMHOLTZ PIPES and TUBES...
I added one straw for a neck to all my pipes and tubes even to the Helmholtz-Fibonacci room tuner sets....The identical length of the straw on all devices dont change the golden ratio between the pipes...
What i can say?
The relation between the volume of the bottle or of the pipes and tubes to the neck volume and diameter is the KEY....The equation said so.... But listening to the equation by experimenting is a true sckocking experience, the equation is no more dead signs on paper, but suddenly a living animal in the room.... This is the power of acoustic....
You must experiment in your own room...Myself i stumble on the right proportion...
No change of dac or amplifier can replace ACOUSTIC control ever and never in audible impact.... π Save for a very bad gear upgrading to an higher level totally.....The acoustical embedding new control is powerful like that...
After this addition of one straw on all devices, eliminating past shorter neck on them, the results were so amazing....
When you listen to an entire orchestra of brass the timbre differences between, tubas, trumpets, trombones, and the french horns cannot lie....
Astounding, this Gabrielli music by the Empire brass ensemble, which i know by heart, was revealed for the first time in all hues and variation of the brass timbre of each instrument....
Orchestral music and the timbre of each instrument is the BEST test for an audio system....On a single instrument piano is....
I cannot exagerate the huge impact of this longer neck addition to my pipes and tubes used like Helmholtz bottles...
My room is now ACTIVATED, and it is no more to the speakers sound only boucing on the passive walls i listen to, but to a pressurized complex set of engines in synchronisation with the speakers...This is what i call the activation of the room, to make understand the enormous difference between a passive room/walls and an activated atmosphere in the room....
Material passive treatment is important, but active controls by Helmholtz principle exceed it in impact because it is with them that the room is fully activated, with the S.G. grid and the 2 ionizers....
This fact is so much underestimated that if we read acoustitian articles about small room controls, they rarely insist on their importance.... In fact they even dont mention it most of the times....
I guess i am more creative than even some pro..... I have all my time for sure, i no longer work..... π
Listening to music is for me life or death.....With no money to spend i just discovered the universal lies in audio about costly gear being the MAIN high-quality source of the experience.... It is completely false, embeddings controls are the key, especially the acoustical one....
I pity all those who spend money on costly dac and amplifier...... πππ
I best them with 18 straws.....Nobody will ever believe me, i dont believe it myself.....π€ππ€π
Be creative, listen to your ears only, not to reviews or audio consumers....
My best to all.....
Remember that all my audible effects are tested in my 2 listening position, nearfield and regular in my room....
I added one straw for a neck to all my pipes and tubes even to the Helmholtz-Fibonacci room tuner sets....The identical length of the straw on all devices dont change the golden ratio between the pipes...
What i can say?
The relation between the volume of the bottle or of the pipes and tubes to the neck volume and diameter is the KEY....The equation said so.... But listening to the equation by experimenting is a true sckocking experience, the equation is no more dead signs on paper, but suddenly a living animal in the room.... This is the power of acoustic....
You must experiment in your own room...Myself i stumble on the right proportion...
No change of dac or amplifier can replace ACOUSTIC control ever and never in audible impact.... π Save for a very bad gear upgrading to an higher level totally.....The acoustical embedding new control is powerful like that...
After this addition of one straw on all devices, eliminating past shorter neck on them, the results were so amazing....
When you listen to an entire orchestra of brass the timbre differences between, tubas, trumpets, trombones, and the french horns cannot lie....
Astounding, this Gabrielli music by the Empire brass ensemble, which i know by heart, was revealed for the first time in all hues and variation of the brass timbre of each instrument....
Orchestral music and the timbre of each instrument is the BEST test for an audio system....On a single instrument piano is....
I cannot exagerate the huge impact of this longer neck addition to my pipes and tubes used like Helmholtz bottles...
My room is now ACTIVATED, and it is no more to the speakers sound only boucing on the passive walls i listen to, but to a pressurized complex set of engines in synchronisation with the speakers...This is what i call the activation of the room, to make understand the enormous difference between a passive room/walls and an activated atmosphere in the room....
Material passive treatment is important, but active controls by Helmholtz principle exceed it in impact because it is with them that the room is fully activated, with the S.G. grid and the 2 ionizers....
This fact is so much underestimated that if we read acoustitian articles about small room controls, they rarely insist on their importance.... In fact they even dont mention it most of the times....
I guess i am more creative than even some pro..... I have all my time for sure, i no longer work..... π
Listening to music is for me life or death.....With no money to spend i just discovered the universal lies in audio about costly gear being the MAIN high-quality source of the experience.... It is completely false, embeddings controls are the key, especially the acoustical one....
I pity all those who spend money on costly dac and amplifier...... πππ
I best them with 18 straws.....Nobody will ever believe me, i dont believe it myself.....π€ππ€π
Be creative, listen to your ears only, not to reviews or audio consumers....
My best to all.....
Remember that all my audible effects are tested in my 2 listening position, nearfield and regular in my room....