Mitigating the Bubble

So I purchased my PS Audio Lamda transport from Peter Israelson who until recently was a tech, builder and designer for High Fidelity Cables makers of the 1260 and Q45 contact enhancer..Spoke with Peter today about glare digital and otherwise and he had the same experience as me. On some music we would both reach for the remote in anticipation of the glare that we knew was fast approaching and turn the volume down. With the application of Nano Flo there was no glare.

I can post all the mods and tweeks this transport has been thru.. New choke  power supply board with Nichicon Gold filter caps.with several film and foil bypass caps,.upgraded zener diodes, Vampire rca digital, new upgraded digital clock board, circuit boards mounted with brass standoffs and brass screws. CDM Pro9 transport and drawer treated with AVM coating, Star Sound CD Cirkulus tophat , cryo treated magnet instead of fuse, upgraded ac input..there is more likely.  Oh it sits in the center of a custom Sistrum Sp5 rack that has brass rods instead of the usual stainless steel. These rods are drilled and filled with the same material  mix I use in my cello endpins. The transport sounds best on the center shelf because of the increase in torsional rigidity. Found this out by moving the transport  from top shelf on down. More stable center image along with better bass when in the middle. The rack is mechanically grounded to the concrete floor  with 2.5 inch brass Audiopoints..The treated breaker box  is 8 feet from my system and has The Gate mounted inside.. The breaker box  is 35 feet from the ground mounted transformer outside. On the meter outside I treated it with the same mix of metals in paint that I applied to the interior breaker box whose metal door was removed because the music plays better when off.  That's all about that. Tom

Correction.  PS Audio Lambda Pro Transport. Tom

steakster,

Sorry, the “you guys” in my post was aimed at deludedaudiophile, and others like him, not you.

I am sorry if a dose of reality is too much for you. I have never had anything I would call digital glare. Not in 2+ decades of owning half decent systems. Digital does not have "glare". It has perfect and flat frequency response (normally). If you have an issue, I would start looking at how your system is performing. Too bright, is not because of digital, it is because of a poor system including the room.

@deludedaudiophile that point 3 before yours almost looks like were have been expertly trolled.

This one:

So I purchased my PS Audio Lamda transport from Peter Israelson who until recently was a tech, builder and designer for High Fidelity Cables makers of the 1260 and Q45 contact enhancer..Spoke with Peter today about glare digital and otherwise and he had the same experience as me. On some music we would both reach for the remote in anticipation of the glare that we knew was fast approaching and turn the volume down. With the application of Nano Flo there was no glare.

I can post all the mods and tweeks this transport has been thru.. New choke  power supply board with Nichicon Gold filter caps.with several film and foil bypass caps,.upgraded zener diodes, Vampire rca digital, new upgraded digital clock board, circuit boards mounted with brass standoffs and brass screws. CDM Pro9 transport and drawer treated with AVM coating, Star Sound CD Cirkulus tophat , cryo treated magnet instead of fuse, upgraded ac input..there is more likely.  Oh it sits in the center of a custom Sistrum Sp5 rack that has brass rods instead of the usual stainless steel. These rods are drilled and filled with the same material  mix I use in my cello endpins. The transport sounds best on the center shelf because of the increase in torsional rigidity. Found this out by moving the transport  from top shelf on down. More stable center image along with better bass when in the middle. The rack is mechanically grounded to the concrete floor  with 2.5 inch brass Audiopoints..The treated breaker box  is 8 feet from my system and has The Gate mounted inside.. The breaker box  is 35 feet from the ground mounted transformer outside. On the meter outside I treated it with the same mix of metals in paint that I applied to the interior breaker box whose metal door was removed because the music plays better when off.  That's all about that. Tom