Addition. With so many variables one can forget about the
constants. Why do you assume 'constant records' while the distance between the modulated inner groove and the spindle is variable? What is the sense of '0' point at an position on the record with no modulated grooves? I thought that
the different tonearm geometries are about those 'o' points. Ie we are supposed to have the choice among them. That is to say where on the record we want them.
My idea is to have Stivenson and Bearwald and then select
one of them by each LP depending from the mentioned distance.
Regards,
constants. Why do you assume 'constant records' while the distance between the modulated inner groove and the spindle is variable? What is the sense of '0' point at an position on the record with no modulated grooves? I thought that
the different tonearm geometries are about those 'o' points. Ie we are supposed to have the choice among them. That is to say where on the record we want them.
My idea is to have Stivenson and Bearwald and then select
one of them by each LP depending from the mentioned distance.
Regards,