Thanks guys. The long wall is probably "no can do". I've put some thought in trying to do it, but my my house is small and my living room, where the system is, has a fireplace and four large picture windows on one long wall, and two large doorways, a pass through window into the kitchen and a small wet bar on the other long wall. I would love to try it though.
I have put a lot of thought into room acoustics. I even looked at a Lyndorf room correction devise at RMAF last fall. I could put some dampening on the wall behind the speakers. Every other square foot of wall space is occupied with doorways or furniture. I could buy a couple of thousand dollars worth of those tiny Tibetan prayer bowls and spread them about! I found the company, "Eighth Nerve" that seemed to have something that I might could have used, but they seem to have gone out of business.
I wish I could TRY some different components but I dont have local dealers.
What magnitude of improvement could one expect to hear after installing separate electrical circuits?
I went to RMAF last year just to find out what I might be missing. My impression was that I wasnt as impressed with most of the systems as I thought I would be. There were a few standouts. I found myself really loving rooms that had SET amps. I was really impressed with the Harbeth speakers and I had never even heard of Harbeth.
Here is a question that probably ought to have its own thread. Five people go into a room to listen to a system. After listening to the same music they all comment. One says that the amp is superb so good in fact that he might consider one but he doesnt really like the speakers. One person loves the speakers, but says that they would sound superb with tubes. One person says that the turntable is excellent. Another is impressed with the cables.
I dont get it. How can one isolate which component is the reason for the good sound. I really dont see how one can separate the component individually. Someone explain this to me, please. Thanks for your comments
I have put a lot of thought into room acoustics. I even looked at a Lyndorf room correction devise at RMAF last fall. I could put some dampening on the wall behind the speakers. Every other square foot of wall space is occupied with doorways or furniture. I could buy a couple of thousand dollars worth of those tiny Tibetan prayer bowls and spread them about! I found the company, "Eighth Nerve" that seemed to have something that I might could have used, but they seem to have gone out of business.
I wish I could TRY some different components but I dont have local dealers.
What magnitude of improvement could one expect to hear after installing separate electrical circuits?
I went to RMAF last year just to find out what I might be missing. My impression was that I wasnt as impressed with most of the systems as I thought I would be. There were a few standouts. I found myself really loving rooms that had SET amps. I was really impressed with the Harbeth speakers and I had never even heard of Harbeth.
Here is a question that probably ought to have its own thread. Five people go into a room to listen to a system. After listening to the same music they all comment. One says that the amp is superb so good in fact that he might consider one but he doesnt really like the speakers. One person loves the speakers, but says that they would sound superb with tubes. One person says that the turntable is excellent. Another is impressed with the cables.
I dont get it. How can one isolate which component is the reason for the good sound. I really dont see how one can separate the component individually. Someone explain this to me, please. Thanks for your comments