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Need Help With a Bright System

My system consists of two NAD C 272 monoblocks, an NAD C 162 preamp, and an NAD T 532 DVD player. The speakers are Triangle Antal XS. My problem is that the system can sound pretty edgy and bright on many recordings, particularly rock and pop albums. One very noticeable aspect of this bright sound is edgy vocals that have exaggerated sibilants (i.e. ‘S’ sounds). I'm currently using a pair of Kimber Timbre interconnects between the preamp and monos, and Acoustic Research silver series interconnects between the dvd player and the preamp. I was using a pair of Kimber PBJs between the dvd player and preamp, but found the ARs to be warmer and better on the bass. The speaker cables are a pair of Straightwire Quartets, which I believe are plain copper. Does anyone have any suggestions on how to get rid of this bright sound? Obviously I wouldn't like to lose detail while doing so, but I understand that this may be a trade off. I'm willing to make a necessary upgrade, but I just want to ensure that whatever I chose to upgrade will definitely take away a lot of the brightness that I currently hear in this system. I know that using a tube amp instead of solid state would make a huge difference, but what else can be done?
jwglista
marakanetz's avatar
marakanetz
5,473 posts
 
I see clearly an electronic issue which might be the case with integration with NAD amps that might be clipping at high freequencies.
nzera
68 posts
 
Can you try your father's Primaluna with the Triangle speakers? That should be a good match, and could help you decide if the speakers are worth keeping.

I have found that highly detailed budget systems benefit the most from power conditioning. The Furutech and cheaper BPT models can take some of the glare off and can be found for $3-500. Upgrading the source will also help, but can be pricey to get a real improvement.
jwglista OP
206 posts
 
Wow! So many recommendation, I'm not sure which ones to try first. I know that Best Buy sells some of the Monster power conditioners, so I may be able to try one from there. If it does make a difference and I decide not too overpay, I'll take it back and try for a used one online.

I would like to try swapping out gear with my dad's. However, his source is much better than mine (Marantz SA11). Either way, I'd like to try swapping amps and speakers between the two rooms to hear which is the culprit. I'm pretty confident that matching these speakers with a tube amp will remove most if not all of the harshness.
piezo
304 posts
 
a quick potential fix. I was trying to use a pair of HT pro silway II (silver and copper)between my CDP (ARC CD-2 going to VTL tube gear then to Dunlavy Athenas) and pre but they had a horrible top end glare while doing a bunch of other things much better than the all copper truth links which didn't have the glare. While experimenting with vibration control to see what i could gain/loose (both did occur depending on what control approach i used) i found that a set of cones/vibropod combo under the CDP took away all the glare while leaving the positives intact. adding some vibropods to your set up may be worth a try along with mass loading. Cheaper than a new pair of speakers
jwglista OP
206 posts
 
Piezo: Yes, buying new speakers is pretty much out of the question right now. I spent a long time researching and coming up with the decision to buy these speakers, and to be honest I like how clear they sound; I'd rather match other equipment to suit these speakers. I do in fact have a set of cones underneath the CD player. I've tried using them both ways (pointed end up/down). The interconnects i'm using between the cd player and pre and AR silver series, so I may try a pure copper interconnect. I'm also going to try swaping the ARs with the Kimber Timbres that are going between the pre and the monos. For rock music, I can handle having the speakers toed out/facing forward because the loss in imaging doesn't really matter.
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