New 55,000 Euro tonearm

@mijostyn : I know that it's a reviewer opinion from M.Fremer that is totally biased to SAT analog items but even that in his review of the SAT 75+K  DD turntable and with same carrtridges he said in his review:

" The XD1 shares some sonic characteristics with Rega's revolutionary RP10 turntable: ultrafast, clean transients throughout the audible frequency range; tight, fast bass; revealing midrange transparency; and overall sonic stability and focus. All these characteristics result, apparently, from careful attention paid to structural rigidity and the removal or prevention of unwanted vibrational energy. ""

Those words are " precious " for the RP10 and seriously could puts in the TTs big league when the Rega price is a " laughable " lower than 6K.

Just imagine if its price after those MF words been seated at 50K  ! !

I have to say that I have an eye on it and maybe you need to think about as an " spare " unit.

R.

@rauliruegas , Darn Raul, I just got a new turntable and you are already selling me another one. As a spare I want to get a Dohmann Helix:-)

Dear @mikelavigne : "" the FCL is doing things that no other arm can do. ""

That’s a serious statement, so I would like to ask: like what things?

Thank’s in advance.

@rauliruegas

tonight i’m bringing out some of my big classical guns to really test the mettle of the FCL. and i am blown away.

https://www.discogs.com/release/15465339-Berliner-Philharmoniker-Bernard-Haitink-Anton-Bruckner-Symphonie-Nr-7/image/SW1hZ2U6NTYzODY2NTc=

https://elusivedisc.com/grieg-peer-gynt-numbered-limited-edition-180g-45rpm-2lp/

https://www.discogs.com/release/4908818-Beethoven-Ikuyo-Kamiya-Piano-Sonata-No23-in-F-Minor-Op57-Appassionata

this thing is so fast, crazy unimaginably fast. and it does not break a sweat even a little. for the last 90 minutes i’ve sampled some formidable pressings i had solid aural memories of, and those memories have been laid to waste. a caution......since i cannot switch inputs i’ve not tried my other arms and cartridges without unplugging phono cables, so no A/B’s for now. therefore; i reserve the right to walk this back later when i get around to trying my other choices.

why would the FCL be so fast? i’m not good at ’why’. in my mind i can connect the dots and reason that a field coil assisted uni-pivot bearing has an advantage of a powered magnetic field with zero mass assisting the bearing performance. how could any mechanical bearing or air bearing be as ’fast’ to allow the stylus to maneuver in the groove as a powered magnetic field? so that’s my very non techie mind’s rationalization/theory of what my ears are telling me. but it might not work that way.

what do i mean by fast? i’m hearing considerably more information, while i’m also hearing a more human and real presentation. with greater fine texture, tonal harmonic complexity and timbre, all the while more grainless and with more ease and flow. like it’s technically so superior that it’s just cruising. not even approaching it’s headroom of performance.

hope that makes sense. i don’t really know what is responsible for the performance, or even if ’fast’ is the right descriptor to use.

@mikelavigne 

i’m not good at ’why’. in my mind i can connect the dots and reason that a field coil assisted uni-pivot bearing has an advantage of a powered magnetic field with zero mass assisting the bearing performance.

Mike, it is simply a unipvot bearing.

The field coil is used for stabilisation - stop the wobble.

The advantage of the field coil over a magnetic field is that the field coil uses a constant current source, From their site -

The field coil, the special formed counter magnet and the CCS regulator provide the base for the stabilized unipivot bearing.
The field coil also functions as a sensor for unwanted torsional movements. The constant currency source compensates field variations in real time and keeps the magnetic field stable.

It's designed to take advantage of the unipivot, which has low bearing stiction, but address the inherent instability of an undamped unipivot. If I recall correctly Martin Colloms tested and reported that the Naim Aro had the lowest bearing stiction of any arm he had measured.

Other methods of stabilisation include having a centre of gravity below the pivot ( not ideal on warped records ),fluid damping ( examples Mayware/Moerch/Kuzma ) and magnetic fields.

@dover 

i've owned a few unipivots; many years ago (late 90's, into 2001) i owned a couple of Graham arms; the 1.5 and the 1.5tc. they were a bit wobbly. never owned a Phantom or Graham after that.

i've owned 2 Durand Telos unipivots, and a Durand Kairos uni-pivot; both designs which use a side azimuth bridge to steady it. there was an art to setting up these particular arms in terms of degrees of tightness of the bridge and the whole balance. the Sapphire Telos was an amazing arm, still is. one of the very best arms i've owned. maybe the ultimate mechanical uni-pivot. with the bridge the Durand's were not at all wobbly. but not plug and play easy to optimize.

on the FCL, with the field coil turned on, you can push from the side and it will deflect, and smoothly spring back. but zero wobble. the feel when putting side pressure on is more a slight resistance but controlled. whatever is actually happening and however it works, the result is ultimate (in my experience) standard setting information and musicality.