Just a quick update. After purchasing my MWT omni's from John during his Black Friday sale, I have been spending a lot of time just using them as my main speakers in 2-channel mode for quite sometime now, mainly just getting a feel for what they can do. I have to say that they have been sounding so good, that I haven't even wanted to stick my 3/3000's in anytime soon.
I had purchased them mainly for use as surrounds in my home theater rig, which they perform wonderfully in that respect. My curiosity got the best of me though just wanting to hear how they would do as fronts only for 2-channel. Basically, I am really thrilled at how they do sound in this respect. I am quite amazed at what is achieved for a speaker that is so physically small, yet sounds so large and grown up. While it doesn't match the bass depth of my 3/3000, what is there is so very good, that again, I have been in no hurry to put the 3's back. I really did not know what to expect with the omni as my fronts, but I have to say that I like the presentation so very much, from the mids on up, I like it even more so than the 3's(This isn't to say the MWT's are better than the 3/3000-while they both have the same family sound, it is more of a presentation that I am enjoying more with the MWT omni).
I had given this some thought even before purchasing the MWT omni, trying to think about what presentation they would give, and I don't think I really had a good answer until I got them and tried it. I had initially thought there would be this massive wall of sound that would be coming at me, and that it might take away some instrument detail and locational cues. But I was wrong, instead the soundstage actually seems to take a bit of a step back away from me at the listening position, yet it has a more open soundstage. I also had thought that having the tweeter facing the ceiling, music would be sprayed all over, and image height might suffer in a negative, overblown way. Again, I was wrong. I have yet to find any of my music where this arrangement sounds un-natural at all. In fact, I have come to prefer this overall presentation to my 3's.
One aspect that this arrangement does somewhat diminish, and may be a deal breaker for some, is the way the traditional soundstaging is with the CLS driver versus the omni. With the omni pattern, you do give up some of that wide expanse and separation of instruments regardless of where you sit. If you happen to be sitting closer to the left speaker, you are going to hear it more and the music will not be as balanced as if you were sitting on-axis with the right speakers tweeter, and can clearly make out the whole stage effect still.
So, you may say, what is the point then of having an Ohm? Good question, and one I am still playing with. In my room, I am typically seated more or less in the sweet-spot anyway, especially when doing critical listening. This is where for whatever reason, I just seem to prefer the omni-pattern more, it just gives more open-ness to the music, and seems more 3-dimensional and realistic yet. The midrange/vocals just seem to be a little more realistic to me. Again, this is in my room, and with my gear. When I take my critical-listening hat off, I tend to not really care a whole lot about staging etc., but still enjoy the music. This omni-pattern doesn't take away the musicality at all, it still allows me to enjoy the performance very much.
I talked to John Strohbeen awhile after I had taken delivery of my MWT omni's. I told John what I had been doing and that I really enjoyed the omni presentation in my room. He said that a lot of people like that, and his only reservation was that on certain female vocals, he said things could sound a bit strange or off. Maybe John could elaborate a bit more on this. So far, I haven't found anything that I have found to be unrealistic or objectionable. Instrument detail and image height is every bit as good. I just keep on listening and enjoying them.
So, after listening for awhile more, and taking notes, I decidied to give John a call and see if he could make me up a set of omni 3000 drivers for my cabinets to try. I am very curious as to how these will work, larger driver and cabinet. I am anxious to hear if these will give me what I have in the MWT omni-I have no reason to doubt that they won't. So, a pair of 3000 omni-cans should be on the way soon if all goes well. It might take awhile for me to give an update on this, but no doubt you will be hearing more about this at some point I am sure.
I am still amazed at the little MWT, it is an incredible performer, one that I constantly think of as a best-buy anywhere near it's price range. I would definately make sure it is on your short-list if you are in the market for a small speaker that just sounds bigger than it has the right too, and yet just gets out of the way and sounds better than a lot of speakers that cost a good deal more money.
I would also like to hear from all of you that have joined in earlier about upgrades on your older cabinets etc., I hope all is working out for each of you. Enjoy the music! More later! Tim
I had purchased them mainly for use as surrounds in my home theater rig, which they perform wonderfully in that respect. My curiosity got the best of me though just wanting to hear how they would do as fronts only for 2-channel. Basically, I am really thrilled at how they do sound in this respect. I am quite amazed at what is achieved for a speaker that is so physically small, yet sounds so large and grown up. While it doesn't match the bass depth of my 3/3000, what is there is so very good, that again, I have been in no hurry to put the 3's back. I really did not know what to expect with the omni as my fronts, but I have to say that I like the presentation so very much, from the mids on up, I like it even more so than the 3's(This isn't to say the MWT's are better than the 3/3000-while they both have the same family sound, it is more of a presentation that I am enjoying more with the MWT omni).
I had given this some thought even before purchasing the MWT omni, trying to think about what presentation they would give, and I don't think I really had a good answer until I got them and tried it. I had initially thought there would be this massive wall of sound that would be coming at me, and that it might take away some instrument detail and locational cues. But I was wrong, instead the soundstage actually seems to take a bit of a step back away from me at the listening position, yet it has a more open soundstage. I also had thought that having the tweeter facing the ceiling, music would be sprayed all over, and image height might suffer in a negative, overblown way. Again, I was wrong. I have yet to find any of my music where this arrangement sounds un-natural at all. In fact, I have come to prefer this overall presentation to my 3's.
One aspect that this arrangement does somewhat diminish, and may be a deal breaker for some, is the way the traditional soundstaging is with the CLS driver versus the omni. With the omni pattern, you do give up some of that wide expanse and separation of instruments regardless of where you sit. If you happen to be sitting closer to the left speaker, you are going to hear it more and the music will not be as balanced as if you were sitting on-axis with the right speakers tweeter, and can clearly make out the whole stage effect still.
So, you may say, what is the point then of having an Ohm? Good question, and one I am still playing with. In my room, I am typically seated more or less in the sweet-spot anyway, especially when doing critical listening. This is where for whatever reason, I just seem to prefer the omni-pattern more, it just gives more open-ness to the music, and seems more 3-dimensional and realistic yet. The midrange/vocals just seem to be a little more realistic to me. Again, this is in my room, and with my gear. When I take my critical-listening hat off, I tend to not really care a whole lot about staging etc., but still enjoy the music. This omni-pattern doesn't take away the musicality at all, it still allows me to enjoy the performance very much.
I talked to John Strohbeen awhile after I had taken delivery of my MWT omni's. I told John what I had been doing and that I really enjoyed the omni presentation in my room. He said that a lot of people like that, and his only reservation was that on certain female vocals, he said things could sound a bit strange or off. Maybe John could elaborate a bit more on this. So far, I haven't found anything that I have found to be unrealistic or objectionable. Instrument detail and image height is every bit as good. I just keep on listening and enjoying them.
So, after listening for awhile more, and taking notes, I decidied to give John a call and see if he could make me up a set of omni 3000 drivers for my cabinets to try. I am very curious as to how these will work, larger driver and cabinet. I am anxious to hear if these will give me what I have in the MWT omni-I have no reason to doubt that they won't. So, a pair of 3000 omni-cans should be on the way soon if all goes well. It might take awhile for me to give an update on this, but no doubt you will be hearing more about this at some point I am sure.
I am still amazed at the little MWT, it is an incredible performer, one that I constantly think of as a best-buy anywhere near it's price range. I would definately make sure it is on your short-list if you are in the market for a small speaker that just sounds bigger than it has the right too, and yet just gets out of the way and sounds better than a lot of speakers that cost a good deal more money.
I would also like to hear from all of you that have joined in earlier about upgrades on your older cabinets etc., I hope all is working out for each of you. Enjoy the music! More later! Tim