I would get the best cartridge I could afford. You will always hear a difference - even if your turntable was a Webcor. You have to make the decission if audio quality means anything.
Pls Recommend Grado Green vs. Red P-Mount for Me?
I have a Technics SLBD-5 (belt-drive) turntable and only use it to play records that will probably never be available on CD, which means a few hours of play per year, is there any reason for me to purchase a $110 Grado Red P-mount instead of just a $60 Grado Green P-Mount?
After a recent incident (my only other recent Audiogon thread, if you're interested) that took 8 months to solve (the cause was a defective Audio-Technica cartridge from a mail order dealer) I am reluctant to purhcase another cartridge online. That leaves me with only one local source of a P-mount cartridge - Grade. (Who else makes quality P-mounts anyway? Ortofon, Audio-Technica and Grado as far as I can see.)
Thanks for your advice.
After a recent incident (my only other recent Audiogon thread, if you're interested) that took 8 months to solve (the cause was a defective Audio-Technica cartridge from a mail order dealer) I am reluctant to purhcase another cartridge online. That leaves me with only one local source of a P-mount cartridge - Grade. (Who else makes quality P-mounts anyway? Ortofon, Audio-Technica and Grado as far as I can see.)
Thanks for your advice.
- ...
- 10 posts total
No manufacturer has 0% defects, and no mail order house, no matter how conscientious, achieves 100% customer satisfaction. Should one bad experience with one bad cartridge with one mail order house knock Audio Technica out of the running altogether? Especially since they make such a price and quality range of P-mount cartridges. I don't know who your errant online vendor was, but LP Gear has quite a selection of P-mount cartridges here. Notice that they have 5 Audio Technicas all the way up to $160, the Grado P-mount Prestige line, the Ortofons (though you can also get P-mount OM-10 and also replace the stylus with even nicer OM stylii), and even two from Shure, including a NOS Shure V15 for $399. That all said, I'd say go for the Grado Red. The Red/Blue group use a much nicer cantilever than the Black/Green level, and the internal wiring uses better copper than the Black/Green ones. And if the stylus on your Red wears out, you can keep this same level of performance by getting a replacement stylus, which currently retails at $55. So think of it as a savvy investment. Grado is particularly good about keeping replacement stylii available through the years. The Prestige Gold stylus ($90) is the official replacement stylus for Grado's top of the line cartridges from the early '70s, such as the Z2+. I started out with a P-mount turntable I got at a garage sale this year, and frankly, I was put off by the snobby attitude of some analog vendors when I wanted to upgrade the cartridge from the conical-stylus Yamaha-branded cart that came with it. Good is good, and the Ortofon P10 I replaced it with sounded noticeably better in every imaginable way. I am sure you will get a similar or better improvement with a Grado Red. And who knows? If you like the improved sound enough, you may play your LPs more than you do now. |
The question that you posed isn't that easy to answer. Unless, we take into account the Turntable( read complete record player) as a part of the solution/answer. Turntables design, construction and manufacturing execution account for much of what a cartridge is capable of revealing. Audio-heads attest that a hand full of modest priced tables(record players) that can reveal as much as the "high priced spread"; unfortunately, yours has limits that are the fault of limits imposed by an industry that expolits our knowedge base. Again, I suggest that you buy a modestly priced Grado (read green) that over-looks the limits to bring music to your ears. |
- 10 posts total