Listening to them open is at once frustrating and rewarding.
I've yet to identify a sonic signature for the full complement of Psvane's, but I can say at this point that they are very refined. Refined and correct. Maybe that's a function of the whole being greater than the sum of the parts.
ECM live recordings of Schiff's Beethoven cycle are a pretty reliable benchmark for piano sound. But for finesse, try Kissin's version of Glinka's 'The Lark'; the Psvane's handle its upper octaves with breathtaking ease.
I've yet to identify a sonic signature for the full complement of Psvane's, but I can say at this point that they are very refined. Refined and correct. Maybe that's a function of the whole being greater than the sum of the parts.
ECM live recordings of Schiff's Beethoven cycle are a pretty reliable benchmark for piano sound. But for finesse, try Kissin's version of Glinka's 'The Lark'; the Psvane's handle its upper octaves with breathtaking ease.